Kan Sugi

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

The treasures of the Aoyamas were buried at the bottom of the sea when a large earthquake occurred years before. Yumi Aoyama is the only person who knows the location, but her family dies one after another through curious incidents, as if the family were under a curse. Yumi is surprised by the ghost of a dead sister who looks the same as the grim figure who jumped into the old well alter stabbing herself with a sword. Fearful that a similar fate awaits her, Yumi seeks the help of her friend Kyoko. Later the ghost appears before Kyoko and her fiancé, Detective Nonomiya. In a haunted cave, Kyoko and Yumi are in deadly peril from those who seek treasures of the Aoyamas.

This horror tale adapts the Japanese legend about a man who faces the consequences of betraying his wife in order to acquire wealth and power.

A Japanese intelligence officer faces personal crises in the years preceding the Manchurian conflict.

The descendant of the servant of a cruel and vicious samurai returns to the town where she was born, only to find that a cat who is possessed by the spirits of those murdered by the samurai is trying to kill her.

Jidai-geki by Kiyoshi Saeki

Saheita, the final heir of a once rich and respectable family, can't refuse the many villagers that come to him for favours and money, even though he is on the brink of bankruptcy. Around town he is better known by his nickname Mr. Shosuke Ohara.

Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...

A omnibus movie consisting of the three parts: "Kechinbo", "Yowak" and "Kōshoku".

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

33-year-old poor writer Ogata was able to endure his miserable life cheerfully thanks to Yoshie, a 19-year-old innocent young wife. After graduating from a girls' school in Hokuriku, she immediately moved to Tokyo to meet and marry Ogata. After neatly writing Ogata's manuscript, he would buy dorayaki as a gratuity and devour it.

In May 1945, Japan's defeat was imminent after the attacks on Saipan, Iwo Jima, and the Philippines, and Tokyo was reduced to a sea of ​​fire by another massive air raid. However, within the Ministry of the Army, there were still officers who were enthusiastic about a decisive battle on the mainland. Eventually, the Okinawa garrison was annihilated, and the US military was approaching the mainland, but on July 27th, the Potsdam Conference between the US, Britain, and the Soviet Union broadcast the Triple Joint Declaration, which set out the final terms of surrender for Japan.

For the poor, Edo is Hell on Earth, starving under the rule of Tanuma Okitsugi, corrupt councilor to the shogun. But the courageous vagabond called “Kageboshi” (Shadow Avenger), will fight for the common folk, robbing the rich so the people will have rice. Tanuma’s henchmen will hire an evil swordsman to pose as Kageboshi, starting a wave of murder, kidnapping and robbery, searching for two antique sword-guards that will reveal the hiding place of a fortune in buried gold. But who will claim the gold? The poor of Edo, or the conniving Tanuma? Only Kageboshi’s flashing sword, tearing through Tanuma’s bloodthirsty minions, can forestall his wicked schemes.

Two lovers lost in the mountains. In what direction do not go, they find themselves in a mysterious forest pond, as if some kind of force does not want to let them go. Once upon a time, over a century ago, there had been a crime, whose shadow still hovers over these places.

A small community in wartime Japan learn how to make do with less.

1954 Japanese movie

A 1956 alien invasion tokusatsu film directed by Shinichi Sekizawa, the screenwriter noted for his immense contributions to Toho's Godzilla series by providing the screenplays/stories for the majority of the original Showa films.

Period film about the legendary detective Umon

A film dealing with the comings and goings of individuals in the immediate postwar period.

Romantic melodrama