Jaromír Kallista

A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.

A quiet young English girl named Alice finds herself in an alternate version of her own reality after chasing a white rabbit. She becomes surrounded by living inanimate objects and stuffed dead animals, and must find a way out of this nightmare - no matter how twisted or odd that way must be.

A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man might have predicted.

A stuffy middle-aged foreigner, a businessman named Fabricius, lonely and looking for a night's diversion, finds it in the form of a mysterious blonde. In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In "The Last Golem," a young rabbi struggles to fashion a massive, silent giant out of living clay — until he's distracted by a mute servant girl. In the second episode, "Bread Slippers," an 18th-century countess indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids until a mysterious visitor whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. And in the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat '60s Czech pop songs.

The Dung Beetle is late, the Parasite is asleep and Mrs Larva is more interested in her knitting than the director’s instructions. It’s clear: this amateur theatre company has a long way to go before they can perform their version of "The Insect Play", a famous satirical work from 1922 by the brothers Karel and Josef Čapek which features insects with decidedly human traits: greed, egocentrism, jealousy.

Six Prague residents pursue bizarre rituals. Mr. Peony builds a chicken costume to wear while enacting homicidal fantasies toward neighbor Mrs. Loubalova, who does the same dressed as a dominatrix. Their mail carrier, Mrs. Malkova, inhales tiny balls of bread. Newsstand operator Mr. Kula obsessively watches the broadcasts of news anchor Mrs. Beltinska, whose husband regularly scrubs his body.

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.

Examines the human relationship with food by showing breakfast, lunch, and dinner.

Eugene, an aging man, leads a double life - one real, the other in his dreams. He goes to see a psychoanalyst, who tries to interpret the meaning of his dreams. Eugene finds a way of entering his dream-world at will and finds out about his childhood and what really happened to his parents.

A lonely woman gets more than she bargained for when she begins wooing Mr Devil, an insatiable glutton who turns out to be the boyfriend from Hell.

The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.

A troupe of young women on post-apocalyptic earth are lead around by a mistress born before the war, eventually stumbling into the company of a lonely old man.

The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.

Oldrich is the runt of his village, beaten by his father, bullied by the other boys. But he has imagination on his side, and a wiry toughness they can’t defeat. The village is in turmoil, because the Nazi occupiers have just retreated and the Red Army is advancing. Oldrich dodges amid the mayhem and panic, taking his share of blows but always managing to stay one step ahead.

Two pieces of meat fall in love.

The Ronov castle has been changed into a hotel, offering stylish facilities to its guests: weddings in the torture chamber, a Black Lancer kidnapping brides, a night's lodging in a family tomb etc. The reformed petty swindler Felix Pacínek (Bohumil Smída) runs the hotel. The business is far from thriving; the place is half-empty, and the jazz band Skeleton, together with their singer Zuzanka (Jaroslava Obermaierová), decide to leave. Nobody in the hotel has any idea that the band is in fact a gang of thieves who have just robbed the Prague State Bank, taking two million crowns from its vaults.

According to one Beskydy Mountains legend, if you do a good deed you will see silver trees. Little Ondra knows trees like that. In his family's cottage hangs a picture showing silver firs, a person falling from a height and a watch. In art lessons Ondra paints trees of the same kind. - One day Lojzek Hojgr, a man who climbs fir trees to gather the seeds, comes to see Ondra's parents. Long-ago Ondra's father has had such a job and Lojzek is his long-time friend. Hojgr moves into a half-ruined wood cabin. Ondra's father takes him on a visit to Lojzek and both demonstrate the beautiful but dangerous work of seed-gathering to the boy.

Jan Svankmajer, at 85 years of age, is one of the most prominent artists of European cinema. His work has inspired and guided generations of directors, and represents a sharp and merciless exploration of human nature which is entirely unique. When he decided to retire from filmmaking after "Insect" (2018), his producer suggested that the creative processes which ferment within their company Athanor should be preserved on film. Over three years, the directors of this documentary followed the life of Jan Svankmajer, elucidating his artistic principles, as well as his collaboration with old friend and producer Jaromír Kallista. The film is also haunted by the memory of Eva Svankmajerová, his wife and creative partner, muse and inseparable other half. Playful and poetic, candid and with a touch of Czech humour, it is an ode to creation and to companionship.

A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution).

In 363, somewhere in Mesopotamia, on a campaign against the Persians, the emperor Julian, who had succeeded Constantine after his victory over Gaul, was going through a personal crisis. He sees that the new philosophical trend, Christianity, is as cruel and implacable as the old paganism, and so he returns to the ancient philosophers. He knows that, as a potentate, he is surrounded by a pack of careerists who are all about loot, and in the face of an insidious external enemy. But his future fate is in their hands...

The last moments of a creature made of fruits and vegetables.

A short documentary about the production of movie marquee art for cinemas in Prague.