Suzanne Osten

"Dificult People" - About the production process when Suzanne Osten directs the theater play ”Difficult people”, written by Nils Gredeby. It is a play about people who fail in their professional careers by ”being difficult”. It all starts with the author attending a course about how to spot the difficult people and how to fire people who sabotage or create problems at the working place. In the process the ensemble has to face questions about how we view our fellow human beings and who is considered expendable.

Psychological drama about the meeting between a neo-nazi and a Jewish doctor.

About Progg - progressive music in Sweden. "Everyone can play" was the slogan of the 70's music movement. But was everyone welcome to play? About capitalism, politics, equality between the sexes and hating ABBA.

An unspecified European country ca 1912 in the throws of political upheaval. A man only dressed in black (Jacob, played by Philip Zandén) is hired to assassinate the Interior Minister Joel Birkman (Etienne Glaser) after a particular brutal strike down of a student protest. He takes up work as the minister's bodyguard at his summer residence, and get's entangled in the affairs and politics of the Birkman family.

12 year old Carmen has to stay home during the summer while most other people are on holiday. She plays with younger children Anders and Kerstin. 20 year old Bengt-Olof is a little bit challenged and has no other friends of his own age. Therefore, he frightens and mobs the children in the neighbourhood who, at first try to flee him, but then begin planning their revenge...

Flore is a passionate politician. She is in love but under constant stress, dealing with issues on being black in a more and more aggressive society – Sweden in the early nineties. Soon it will be too much for her.

In a sanatorium for people in their 60's Walter meets Virginia and falls in love. His boyish invites only upset her. In another attempt to capture her interest he directs "Romeo and Juliet" starring the residents of the sanatorium.

In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.

This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...

The real horror is worse than - than a horror film, worse than - than the worst horror film. A story about some who are producing horror and special effects.

About the young film critic Gerd, who dream of interviewing actors like Jean Gabin and Jean-Louis Barrault and to one day direct a movie.

Queen Silvia is an icon; Crown Princess Victoria is a superstar. Mother and daughter bring glamour and good news. Constant public scrutiny and a life dictated by others are the price they pay. Would the Swedish monarchy even have a future without them? This film by royal expert Julia Melchior examines the role of strong women in one of Europe’s most popular royal families. Royals have no power, but they do have influence. Strictly speaking, Queen Silvia, as the wife of the reigning king, is merely the “queen consort.” There is no official job description for First Ladies; representing the monarchy is generally expected. Queen Silvia, however, has filled her role with a mission. She breaks taboos to give a voice to the most vulnerable members of society. With diplomatic skill, she defuses many a precarious situation. And with courage and poise, she also overcomes challenges within her own family.