Akira Fushimi

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

A professor, Komiya, and his bossy wife, Tokiko, are to look after Setsuko, their high-spirited niece from Osaka. Despite being a minor, Setsuko is a liberated woman who does whatever she wants, including smoking. She even convinces Koyima to take her to a geisha house. When she gets rather tipsy, the professor calls Okada, one of his students, to take her home. The wife becomes suspicious of Setsuko when she sees Okada bringing her home.

After the plans of a group of college students to cheat on their final exams goes awry, they're left to reassess their lives and educations and get back on track.

A playwright moves to a rural neighborhood to avoid the distractions of the city, but he discovers there are plenty of ways to get sidetracked in his new home, too.

A hen-pecked man works as his artist wife's model and a house-husband. When her patron flirts with her and humiliates him, he decides to get revenge by trying his own hand as a painter. Considered to be a lost film.

After finding a winning lottery ticket, the daughter and wife convince their father who’s been acting like a millionaire that it’s all just a one-night dream, hoping to cure his gambling habit.

While traveling alone through the scenic Izu Peninsula, a lonely Tokyo student named Mizuhara encounters a troupe of itinerant performers and develops a bittersweet first-love attachment to a young dancer named Kaoru.

A middle-aged father has just married off his third daughter, but still has his nine year old son to raise whom he resents as he was unwanted.

Movie about a devoted and single woman and her daughter. The mother's nickname is "Bokuseki" (wooden head) because of his supposed stubbornness. No.10 in the list of "The 10 best films of 1940" by Kinema Junpo.

"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.

Lost film. Two reporters find that they are repeatedly beaten to the scoop by a new female journalist, 'young miss'. They decide to team up with her to investigate a secret club for wealthy voyeurs. Considered to be a lost film.

University friends Ben and Shūichi unknowingly vie for the attention of the beautiful Chieko while on a skiing trip.

Story of two close friends who long to become pilots in the air corps. Only one succeeds in entering the service, while the other finds a job in civilian aviation through his instructor's good offices.

A frenzy of goodwill, tears, laughter, and a lot of fun, caused by thirteen children under the guise of a good-natured fruit vendor and his wife.

This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.

1950 drama film

Heinosuke Gosho evokes in this film the family conflicts engendered by the eternal problem of a father who projects his professional desires on the life of his son. The sister Machiko is the essential link that will allow everyone to apologize to each other and achieve reconciliation.

Japanese home drama starring Kinuyo Tanaka.

Mariko studies at a missionary school in Shinshu. She drops out of school and joins her father on a circus tour when she discovers that her father, Ryutaro, whom she always thought was an agricultural and forestry engineer, was a circus clown. Over time, Mariko's singing attracted the attention of the public.

A young man falls for one of the geisha working in the house where he lives. However, the romance doesn't find favour with his father or current girlfriend. Considered to be a lost film.

A revenge comedy directed by Torajiro Saito (Oedo's most Popular Man) from a script by Chao Fushimi (The Millionaire of a Night) and shot by Hiro Imai (Akado Suzunosuke (1957)). Starring Achako Hanabishi (Segedei Momoshiki Goten), Tamao Nakamura (Akado Suzunosuke (1957)), Seinen Hayashi (Nijunin no Kenka-jou) and Sumire Harukaze (Harukaze Sumire). Also Rumiko Komachi, Shunji Sakai, Yoshio Tabata and Mieko Suzuki.

Commemorating the 120th anniversary of Ozu Yasujiro's birth, six up-and-coming filmmakers remade six of his early silent films as a contemporary mini-series.