Graham Coxon

Starshaped

Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.

Blur: Showtime - Live At Alexandra Palace

Showtime is a video recording by British rock band Blur, released in February 1995. Directed and edited by Matthew Longfellow and produced by Ceri Levy, the film is a recording of the band's gig at Alexandra Palace, London, England on 7 October 1994.

blur at the BBC

Over the years, Damon, Graham, Alex and Dave have helped to change the face of British music, constantly evolving and leaving musical rivals in their wake. This collection of blur’s greatest performances on the BBC delivers all the hits and more, capturing the band’s crowd-pleasing side through fan favourites like Country House, Parklife, and Girls and Boys, as well as their more sensitive and soulful side with tracks including Coffee + TV, Beetlebum, Tender and Out of Time.

Omnibus

Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

The Word

The Word was a 1990s Channel 4 television programme in the United Kingdom. The show pushed forward the boundaries of youth TV, always coming close to going too far.

I Am Not Okay with This

Angsty Syd navigates high school awkwardness, family drama and an unrequited crush on her best friend while trying to rein in her budding superpowers.

The End of the F***ing World

James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a darkly comedic road trip in search of her real father.