Eliane Bandeira

In the film, actor Leandro Hassum plays lawyer Michelle Barbieri, known as Mike. The company where he works is bought by an office that decides to keep only women in its positions. However, the character is not fired, since, due to her name, the HR department believes that she is a woman. The character then starts dressing in women's clothing to stay in his job.

The selfish Ancelmo dies and ends up trapped in limbo. To secure his place in heaven, he must practice a good deed and play cupid, as he is tasked with uniting a man and a woman with widely differing personalities.

With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.

Film based on Manoel de Barros poetry. Story about poet's life in the swamp area of Brazil (Pantanal) and its wildlife; & his obsession with the sea and his new life in the big metropolis in Brazil.

A "queixada" is a small animal that when it feels threatened unites to face the enemy. This nickname was given to the workers of Perus cement company, located in São Paulo in the neighborhood of the same name, when, in 1962, they organized a strike for wage arrears and lack of working conditions. The documentary is a dramatized reconstruction made 16 years later by the workers. (1978 - SP)

Aurélia is a young black woman who works at a factory and lives in a working-class neighborhood in São Paulo, whose boyfriend Fábio gets involved with a racist neo-nazi group.

In 2006, a group of three desperate misfits forms a strong emotional bond, especially increased when they decide to play a highly rewarding, but dangerous confidence game.

Filho is a miserable bastard. He's divided between the duty of nursing his fanatic mother and his obsessive lust for Formosa - a whore of Satan . His dilemma casts him into an abyss of violence, witchcraft, death and demonic trance.

A group of bored well-off young adults come up with anarchic concept of Conceptionism, that promotes absolute looseness when it comes to sex and drugs, but total rejection of money and ego. However, their movement won't last long.

Betrayed wife of a powerful and corrupt Senator, turns him in, and his fraud schemes and lies are exposed. After one of his lovers commits suicide, he has his illegitimate son kidnapped and taken to a decadent seaside resort in the country's extreme southern coast. The Senator chooses another former lover to take care of his son, and the two of them become involved beyond that of a mother son relationship.

Serginho has a hard time finding his place in the world as he works with his uncle at the market, supports his depressed mother, and takes care of his little brother.

On the eve of her 65th birthday, Dolores has a premonition: her life is about to change. She will own a successful casino. However, her gambling addiction of the past may work against her. Deborah, her only daughter, waits for her boyfriend's release from prison to start a new life, whilst her granddaughter Duda clings to a chance of working in the United States. All three women will strive to make their dreams of a better life a reality, going for it all or nothing.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

Based on interviews with married women, aged 20 to 40, from different social classes, the film portrays with a certain irony the hardships and the petty side of marriage. An actress plays five different women who, living in banal situations, reproduce multiple facets of subordination to the role of a good wife.