Světlana Nálepková

In the fairy tale comedy, a strange princess is born. She can be wound up like a mechanical toy. At first glance, this seems like a certain advantage, because if such a child is naughty, the parents simply won't wind them up. But when adolescence arrives and with it first love, it's not so simple. After all, Princess Marenka also had quite a few problems with her "peculiarity".

Nineteen-year-old Pavel Kříž spends all his free time in Prague's arcades, bistros and discos with a group of thieves called Roby. Pavel has a high school diploma, but works as a window cleaner, and a large part of his income comes from the scams, scams and thefts of Roby's crew, to whom he supplies guaranteed tips. So he's not too happy when the cleaning manager assigns him a young temp, Jana Hálková. Although the girl makes no secret of her distaste for Pavel's way of life, a fragile emotional bond develops between them. But this cannot last in the environment in which Pavel moves. The young man gets into more and more trouble - part of Roby's party is caught by the police and he cannot find the money to pay back the debt. The situation escalates when a group of thieves kidnap Jana...

Father Viktor, highly capable and successful in his profession, and his son Petr, an equally successful and promising student, suddenly find themselves in an unexpected situation – after the death of their wife and mother, these two exemplary models of the perfect man and student must deal with such a mundane matter as taking care of the household. As capable, intelligent, and successful men, they naturally see no problem with this. Their experienced neighbor Lupínek, a distinguished grandfather with four grandchildren to look after, warns them in vain and offers his help. Male vanity and pride are stronger. As a result, they gradually find themselves in a whirlwind of embarrassments, problems, and disasters that gradually erode their self-confidence and destroy their firm belief in their own perfection. Fortunately, Uncle Artur comes to the rescue.

A story of love and honor that takes place during the mid-nineteenth century during revolutions, as well as economic, political, and social hypocrisy. Two extraordinary but lonely artists share a passionate love, as evidenced by the preserved letters that they exchanged.

Princess Georgina is just returning from the Imperial Court full of news about fashion and good manners. However, she starts to behave arrogantly and overprotective not only towards her cousin Blažej, but also towards mushrooms, frogs and nature in general. This, of course, wakes up Pindrus. Haven't you ever heard of those mischievous ghosts? Then this fairy tale is for you. You'll find out what happened to the pretentious princess who had a toadstool growing out of her head and croaking.

Greek mythology has always inspired creators of various artistic genres. No wonder, for Greek myths offer countless dramatic tales of strength, courage and bravery, of fear and hatred, but also of love. The poet Kamil Bednář has retold one of the most beautiful mythical stories, O Amor and Psyche, in which love plays a major role. His fairy tale about Princess Soul served as a model for a television production directed by S. Simonová.

In the loose sequel to the fairy-tale comedy "How about a wedding, prince?" you will meet again with Prince David and his wife Běla. Both are looking forward to the baby that is about to be born to them. Prince David wants a son, the heir to the throne, and when a little girl purrs in the cradle, he cannot accept it. It will take him a while to take his daughter under his wing.

A marquee stands on a sprawling Prague housing estate and is home to two young bricklayers, who have all sorts of life experiences waiting for them in the city. Around the two rural bricklayers absorbed by the big city, the entertainment is more than a little embarrassing, toothless, revealing that at the height of normalisation, even the jolly genre of drama fared poorly, and any satirical allusions were especially undesirable. With no sense of humorous exaggeration and no wittily punctuated plots, the story unfolds, showing how the characters, living in a marquee standing on a sprawling estate, face all the pitfalls of the "big world"...