Bang Hee

A barren noblewoman encourages her husband to take a young peasant as a surrogate to secure the male line.

Sa Bangji was an intersex person who according to historical records lived during Korea’s Joseon Dynasty. Taken in by a kindly benefactor, Sa Bangji lives in a monastery that is one day visited by a young widow, Lee So-sa, who is in mourning following the death of her husband. The pair’s meeting seems predestined, with the erotic attraction between Sa Bangji and Lee So-sa soon evolving into something far more transcendent – and dangerous. While aspects of the film – its stylised depiction of female actors and sex – identify it as a product of its time, Sa Bangji is undeniably a milestone in screen representations of intersex people, a film that refuses to shy away from the horrendous stigmatization faced by its titular character.

A story that follows the lives and interactions of two Buddhist monks living in South Korea.

Kang-wook, a law student at Seoul National University, finds himself in a tight spot financially after losing contact with his family in North Korea. He sells his own blood at a hospital to make ends meet, and there he meets and grows close to nurse Jin-young. As Kang-wook faces financial difficulties, Ki-yong, a son of a landlord's agent, appears and tricks Kang-wook into joining left-wing activities. Ki-yong's true identity is revealed by Yoon-ae, a friend from hometown, leading to his arrest. Meanwhile, Kang-wook and Jin-young marry with the blessings of Professor Park and their friends, while Kang-wook's friend Do-hyeon struggles to hide his feelings for Jin-young. Their sweet days together come to an end with the outbreak of the Korean War, separating them. Jin-young, unable to wait for Kang-wook any longer, decides to flee the war with Do-hyeon. Kang-wook, hiding at Yoon-ae's house, is eventually arrested by Ki-yong and the leftists, who had been freed from prison.

In 1980s South Korea, a former cop, now in destitution, is placed in a rehabilitation center, where, by chance, he finds the Communist guerilla who had eluded his capture more than 30 years ago.

Zung comes to Korea to investigate the mysterious death of her father, Seijung, a renowned performer and composer in the Japanese music scene. While Zung pursued a different path in life by studying engineering, she is drawn back to her father's legacy. In her search, she reaches the summit of Hallasan, where her father's body was found, and meets Master Woo, a master of the gayageum, and his daughter, Gasil. Listening to Master Woo's performance, characterized by the phrase "music that is joyful yet not exuberant, sorrowful yet not mournful," she learns that her father had been deeply affected by the music, leading to his tragic passing.

After being released from prison, both Lee Jong-Bae and Moon Do-Seok, who served imprisonment at the same prison, plan to commit crime with carbine rifle having no butt plate. They succeed in the first crime, but kill a person so that Moon regrets his wrong doings. But, Lee commits the second crime to hurt persons. Lee's wife advises Lee to deliver himself to the police, but Lee neglects her advice.