Ivo Pelant

As the name suggests, the movie is about football. It is not about big league soccer, making huge money. It is about football, which lives just from village fans enthusiasm, from the enthusiasm of fathers and their sons and club officials. And yet on this battlefield, where the pub and silent household alternates, it is often about everything: friends, family, the meaning of life. It is about playing fair, but also about fighting below the belt. It is about winning, but also about falling into the abyss of the league wilderness.

The television adventure film, based on Verne's novel of the same name, Twenty Thousand Leagues Under the Sea, tells the adventures of three shipwrecked prisoners aboard the legendary submarine Nautilus.

A story of two boys who during the summer at a recreation area become best friends despite being enemies at first.

Several big-city teenagers are falsely accused of vandalizing a valuable organ, casting light on the hypocrisy of the adult world.

Alice Nellis's small-scale debut tragicomedy spotlights small-town elections. The protagonist, a university student name Jana (Theodora Remundová) who is trying to solve a troubled relationship with a married man, takes her mother's place on the election commission. In the meantime the mother (Iva Janzurová) is going through her own small domestic crisis with her husband (Leos Sucharípa). Thanks to excellent acting performances and restrained direction, the film convincingly outlines interpersonal relations and their light social overtones.

A quarter century after the release of the original film, this sequel brings us a drama about platonic love, life retrospective and memories. Former schoolmates meet again in the mountains and it turns out they have not changed much. Even though so many years have passed, we can still see the souls of boys and girls we know from the teenage comedy Snowdrops and Aces; kids who participated in that legendary skiing course. Its nostalgic humour gives the film a bitter-sweet touch. Thawing Out follows the lives of the main heroes during a period of great changes. How did they manage to escape the traps and what scars have they suffered? Where did they want to go, how far have they got and what is still in front of them?

Even under socialism, it was not advisable to cross the line between rich and poor. When a mason's apprentice falls in love with a girl from a wealthy family who lives in a magnificent villa during his first thug, he can hardly expect his feelings to be fulfilled. The schematic and lifeless depiction of the young generation has hardly contributed to a truer view of contemporary reality.

How it will end? Let's just tell you that on one side of the mountain, the stream that had run before it dries up, and on the other side of the mountain, the creek starts to breathe.