Joaquín Furriel

Little Lide disappears in the forest while her family packs up their home. As a fire breaks out, her mother must race to reach her before the flames do.

Valencia, Spain. On a rainy morning, six armed men in disguise assault a bank. But what seemed like an easy heist, quickly goes wrong with nothing unfolding as planned, and mistrust quickly builds between the two leaders of the gang.

Marc and Rebeca, a young couple, travel to an old country house that used to belong to their family. Once there, they write the shared history of their roots, creating a huge family tree that harbours relationships of love, heartbreak, sex, madness, jealousy and infidelity, and under which also lies a history laden with secrets.

Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.

Risa, after her father's death, discovers she has the ability to communicate with him from beyond the grave. As she explores this supernatural connection, she faces emotional challenges and family secrets that will test her faith in what she thought was possible.

A debt-ridden father takes advantage of an unforeseen situation to disappear and live off the grid under a false identity. But a chance event occurs and the temptation to want to know his family resurfaces.

A mother travels to Patagonia with her autistic son with the hope that a ranger and a pod of wild orcas can help him find an emotional connection.

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

Police officer Pipa works on her first big case while simultaneously investigating her boss, who is suspected of murder. The prequel to "Perdida".

When the beautiful Leonor arrives at the architecture studio Borla y Asociados looking for Nelson Jara, both Mario Borla and his partner Marta Hovart and Pablo Simó, the building's oldest architect, claim to ignore that name completely. But they all lie. The truth begins to unravel through the memories of Pablo Simó. Pablo should carry out the unpleasant job of dealing with Nelson Jara, an indignant owner of the building adjoining a work of the studio, damaged by a crack in the wall of his living room caused by an error in the construction. But the fear and nervousness that provokes in the three involved the arrival of Leonor and her question "what happened to Nelson Jara?" Show something much darker and more suspicious. (FILMAFFINITY)

Two desperate men turn in an uncomfortable business partners to find a secret gold looking for change their bad star.

Five miners buried in a gallery 600 meters deep.

Uruguay (1972) unavoidably falls into a terrible dictatorship. Diego and Leonardo, two writers of a well-known TV comedy show, struggle to maintain their integrity under the pressure they receive to tone down their political satires against the military. On the side of the oppressors, Rojas, the lieutenant in charge of torturing subversive youth, finds emotional refuge in Susana, a prostitute. Slowly, the lives of all of them are deeply impacted by the yoke of the dictatorship that looms over them.

This incredibly disturbing story follows the exploitation of an apprentice butcher, Hermógenes, and his trial after he murders his boss in broad daylight. Hermógenes, a farmhand from northern Argentina, relocates to Buenos Aires in search of a better life for himself and his young wife, but soon finds himself at the mercy of a corrupt boss. The film is based on a thorough investigation of a real event that happened in Buenos Aires 10 years ago. Almost every scene in the film is inspired by real facts or based on well documented daily practices of the “meat business” and its environment. Both a shocking exposé of unscrupulous practices in the meat industry and a heart-wrenching personal story, El Patrón became one of the most successful Argentine films of 2014.

Painter Lorenzo's life spirals out of control as he fears his wife is trying to isolate him from their infant son.

In 1896, Virginia Bolten, a well known thirty years old anarchist, arrives in Buenos Aires where she meets her friend Matilda, along with other women working in the mill Volpon Genaro, under the harsh conditions of the time.

Octavio, a hunting guide from southern Argentina, desperately fights to clarify the death of his niece Sofía, discovered shot in the hunting preserve where he works. The shot bursts into the darkness, unleashing an enigma that shakes the entire town. Octavio will be forced to unravel what really happened that night and thus confront a truth that threatens to change everything forever.

We all want to have a family. He is the only one willing to kill to get one

Ernesto lives in depression and decides to hire a hit-man to end his own life. However, his plan takes an unexpected turn when he meets Rita, whose love gives him a new reason to live.

The film is born on the threshold where the theatre becomes cinema. Without documenting the process, or explaining it, the film invents its own language. Calixto Bieito's radical approach finds a new thrust in the camera of Marcelo Piñeyro. The camera doesn't look in from the outside: it enters, listens, accentuates and reveals details invisible from the stalls. A hybrid experience, suspended between reality and fiction, where the two languages merge to tell a reinvented truth.

Julieta and Federico are parents of three boys, it is a high class family. He is a successful architect. They receive the visit of Tito, uncle of Federico, a gray man who has just left the prison. Tito wants to go to the sea and Federico proposes to go to a house that he himself built for some friends, but Federico stays in the city, working.

Diego, a struggling actor in NYC, follows some advice and travels back to Buenos Aires, his former home, expecting to find better acting opportunities than the ones in New York.

Fernando, a priest accused of murder, encounters with Ruth, the woman who falls in love with him, and the real crime plot unravels after several intimate rendezvous over a number of years.

Actor Gustavo Garzón and theater director Mariana Sagasti seek to puzzle out the real author behind one of the most important figures in universal literature: William Shakespeare.

When a group of billionaires takes shelter in a luxury bunker, an old feud between two families resurfaces amid an unprecedented global conflict.

Soy gitano was a Spanish language television drama from Argentina.

Montecristo was an Argentine telenovela produced by Grupo Telefe, premiered on April 24, 2006, on Telefe, which achieved great national and international success.

Architect Fabián Danubio desperately tries to find his daughter, who has inexplicably disappeared leaving no trace.

After his running mate's murder, a controversial televangelist becomes Argentina's presidential candidate. But nothing about him is as holy as he seems.

The story tells the experiences of four modern parents Favio Carbonetti (Luciano Castro), Ignacio Moreno (Joaquín Furriel), Franco Bertossi (Luciano Cáceres) and Mauro de Leone (Peto Menahem) and attractive friends who become friends by sharing daily talks at the door of your children's Kindergarten.

After investing all his savings to travel with his son to the World Cup, Lucho is shocked when the Argentine team gets disqualified from the games. He and a flashy group of losers, decide to devise a plan to steal the World Cup trophy.