Fern Silva

A kinetic journey through the graphic motifs of textiles paired with figures and landscapes to explore the technological development of fabric production and consumption alongside systems of visual and spoken language. The piece investigates recurring graphic symbols and how their cross-cultural appropriation functions within a global economy.

From the earliest voyagers who navigated by starlight to the discovery of habitable planets by astronomers, Rock Bottom Riser examines the all-encompassing encounters of an island world at sea. As lava continues to flow from the earth’s core on the island of Hawaii—posing an imminent danger—a crisis mounts. Astronomers plan to build the world’s largest telescope on Hawaii’s most sacred and revered mountain, Mauna Kea. Based on ancient Polynesian navigation, the arrival of Christian missionaries, and the observatory’s ability to capture the origins of the universe, Rock Bottom Riser surveys the influence of settler colonialism, the search for intelligent life, and the discovery of new worlds as we peer into our own planet’s existence.

Filmed on location in Harlem (NY) and Ethiopia, Forged Ways oscillates between the first person account of a filmmaker, a man navigating the streets of Harlem, and the day to day life in the cities and villages of Ethiopia.

Images of landscapes are cut and fragmented, as a hand guides their shape and construction. The voice tells a story about a not too distant past, and elements of nostalgia are assembled in terms of lore.

In The Watchmen, pulsating orbs, panopticons, roadside rest stops, and subterranean labyrinths confront the scope of human consequences and the entanglement of our seeking bodies.

“Mermaids flip a tale of twin detriments, domiciles cradle morph invaders, crocodile trails swallow two-legged twigs in a fecund mash of nature's outlaws... down in the Everglades.” (Fern Silva)

Through softly textured 16mm photography and regional iconography, Silva offers a modernist reflection on two of upstate New York’s most storied 19th century touchstones—the landscape painters of the Hudson River School and the legend of Rip Van Winkle—nodding to a few musical heroes along the way.

Liahona is an experimental documentary examining the culture, history, and lived experience of the Church of Jesus Christ of Latter-Day Saints, often referred to as the Mormon faith. The film creates a portrait of Mormonism through documentation of LDS cultural dominance in Utah, the suppressed history of folk magic in the early church, landmark Mormon life experiences, and my personal history and connection to the church. Found media with the voices of outsiders and insiders illuminate a religion that intrigues many, but is seen as mysterious or inaccessible. Liahona shifts through perspectives on the faith – from reverence to questioning, presenting the complexities of the vast institution of Mormonism contrasted with the tenuity of individual faith.