Virginia Mataix

In the summer of 1816, Percy Shelley, his mistress Mary, and her stepsister Claire visit Lord Byron at Lake Geneva. Byron challenges each to write a horror story, and Mary begins her novel, Frankenstein. She imagines the monster becoming real, and for the next six years, as tragedy befalls those around her, she believes the personification of her imagination is the cause. Against this backdrop, Claire has Byron's baby then is estranged from him and barred from her daughter. Byron and Percy continue their friendship, the one self-centered and decadent, the other wildly idealistic. The Shelleys take up residence near Pisa.

A somewhat confused and strange young inventor, named Gustavo, is arrested by the police accused of being a terrorist. Through his statements we will know the truth of the facts. During his childhood he discovers that his father wants to escape to a place called Vesta aboard a spaceship made by himself. However, during the journey he loses his life. Now thirty years old, Gustavo, after a series of events, will try to repeat his father's journey.

A young model with no money or work drifts through a harsh world tries to build a more stable life while her new relationship becomes increasingly complicated.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

The film is an image of the Spanish society in form of various anecdotes which happen to the inhabitants and their neighbours of a finca in Madrid.

After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.

Spain 1640, the reverend superior nun Mariana, attends the death of her younger sister, Isabel's husband, who is overcome with hopelessness and heartache. Isabel then kisses and caresses the cadaver's exposed body as if he were still alive. Mother Mariana