Ebrahim Abadi

Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.

Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they challenge both the authority of family and state to lead their own lives.

Officer Ghorbani is a good and on time police officer but when a mummy corpse is find his troubles and adventures begin and he has to find a way to save the mummy from the thieves.

The silence of this sleepy little town is soon disturbed when the residents begin to receive threatening phone calls. No one knows who is making them. The police fail to find any evidence leading to the anonymous offender. It seems the further they investigate, the less they know. Is it possible that the whole town is in danger? An intense and captivating horror that is filled with suspense.

On 5 June four hijackers, three men and a woman, hijack an Iranian passenger aircraft. Their commander is a person named Fariborz Atabaki [Nasser Aghayi]. Two of the passengers, one of whom later turns out to be an officer, disarm the hijackers; to the astonishment of the passengers they guide the aircraft to the same European destination the hijackers had intended. The original planners of the hijack hold a press conference at the destination. They say all the passengers are seeking asylum and ask the officer to tell the journalists his views. He says his reason for bringing the aircraft here is to show the world the passengers have no interest in political or social asylum; they all want to return to Iran.

Ebrahim, 12, to help the widowed mother, lets herself be exploited by a statuary manufacturer. At school he makes friends with an older boy, an orphan of a father who lost his leg during a bombardment. With his great fortitude he will try to teach his younger friend how to be respected.

Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?