Inácio Araújo

An unemployed radio worker obsessed with suicide meets a rich brat.

Transposition of the myth of Faust to modern Brazil. The heir to a bankrupt cigarette factory, amidst a personal crisis, leaves everything behind and heads for a supposed paradise he has seen in a tourist agency, where he believes he could find self-knowledge. In his search, he is inspired by a Mephisto-like character.

After his wife leaves him, Júlio starts an affair with his secretary.

Three stories. 'Rainha do Fliper' (Pinball's Queen) Reginéia is the pinball's queen, exploited by her pimp Giba. Out of the blue, her former boyfriend Tenório comes to the arcade place seeking out Reginéia. 'Uma Aula de Sanfona' (One Class of Accordion) Bank clerk Nanci and her friend Cristina have come from Ribeirão Preto and share an apartment in São Paulo. Nanci has an argument with her lover Valdemar, and goes to her room blaming her upset on the accordian lessons that her neighbor, Durval Pereira, is giving on the floor above, but what is his secret? 'Belinha, a Virgem' (Belinha, the Virgin) The wedding day of the virgin, Belinha is rapidly approaching,. But the wedding is against the will of her fiancé's mother. When her future mother-in-law asks the parochial priest to check whether Belinha is virgin or not, the girl uses her sculptural body to resolve the situation.

A professional photographer specialized in nude pictures dreams of respectability and the beautiful college student next window.

On the eve of the premiere of a theatrical superproduction in the city of São Paulo, the assembly team performs the last dress rehearsal. But, mysteriously, the four leading actresses are poisoned. Now, the police will investigate each person related to the play to find out who caused the tragedy.

Through a historical-affective reconstruction of the Boca do Lixo region, in São Paulo, the documentary aims to investigate what was the cultural, social and geographic impact that the cinema made there had for the city and for the country during the from the 1960s to the 1980s.

Maria, a countrywoman, leaves for São Paulo, where she becomes an industrialist's lover and meets all kind of people but, dissatisfied, she returns to the country to meet her family again.