Dana Syslová

Hynek Michánek wants to study medicine but fails his entrance exams five times. He starts a job as an orderly in a district hospital where one of the doctors on the examining board works as well. He feels no-one takes him seriously and he loathes the doctors, who treat him with disdain. When an old man begs him to end his pain and suffering by helping him to die, Hynek gives him a "liberating" injection. But now he has done it once, he finds he can't stop. He continues killing other patients, even though he knows he can't get away with it for long.

​In 1947 Prague, Holocaust survivor Dita lives in a hostel for orphans, acting as a protective mentor to a younger girl while failing to fix her own shattered life. Unable to form lasting bonds or find a place in a society that has moved on, she drifts through emotional isolation.

Tom (4 years old), Suzanne (8) and Derek (10) spend the weekend with their grandparents. But nothing is as usual: Grandpa seems to be elsewhere; Tom wonders where Grandma has gone, she who always tells him incredible stories; Derek is hard at work renovating the old apple tree hut. So following in the footsteps of her ancestor, Suzanne improvises herself as a storyteller to illuminate the house with imaginary and wonderful stories and try to fill the absence of Grandmother. The movie is an adaptation of three tales written by Arnost Goldflam.

A dramatic story of a mother and daughter set in the late 1980s. The film tells the story of Lilian, a young mother whose life has not been easy. She has an intellectual disability and, to make matters worse, suffered a traumatic assault during her adolescence. The relatively idyllic life she shares with Mrs. Holasová, who cares for both Lilian and her young daughter Malvína, is shattered by the death of the eldest member of this three-generation trio of women. Lilian and Malvína’s lives are thus turned upside down literally from one moment to the next.

In the 1980s, the building themes were transformed into bipolar moral dilemmas involving overly ambitious individuals who wanted to excel at any cost. The hero is the head of a demolition crew that demolishes large buildings, initially a sympathetic young man who, in the pursuit of career and accolades, begins to transgress the boundaries of what was then called socialist morality and legality. He gradually finds himself at odds with the principles of ordinary but honest people. The narrative's bland, proclamatory film is closely connected to its time of creation, and there are hardly any more timeless insights to be found.

Flower Buds tells the story of the gradual breakdown of a family living in a small town. Each character lives according to his or her own ideals. Agata wants a happy life far from home, fully aware that her only hope is to escape and therefore betray those close to her. Honza believes in the purity and power of love, regardless of the circumstances under which it is born. Kamila looks confidently to the future and does not intend to accept the misery of the present. The only Jarda knows that he will not change the world or himself. Aware of his weakness, he does not even try. In his mind, of course, his addiction to slot machines, which has led to a nearly impossible situation, is as certain as most gamblers' belief of an imminent win. The real and convincing attempt to rescue his family comes when it is too late. It is just a futile gesture, a desperate last ditch effort.

A love story of a couple of mature people of completely different characters, who lived and worked side by side for years only as colleagues, but whose accidental trip to Slovakia to attend the wedding of Hedin's sister brought them closer, probably for the rest of their lives...

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.