Mitsuo Nagata

A tea master and his daughter Ogin are both Christians in feudal Japan. Ogin falls in love with a married feudal prince who shares her faith. When the Shogun bans Christianity, the situation worsens.

Stage director Shimamura, who is bringing western theatre to Japan, falls in love with outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

In early post-war Osaka, three women—war widow Fusako, her Korean expat sister Natsuko, and Kumiko, Fusako's sister-in-law—descend into prostitution, all for their individual reasons.

Misawa Ihei (Nagato) is traveling with his wife Tae (Iwashita Shima) who abhors the practice of sword fighting for prize money. Tae is the daughter of the clan's chief counselor who married the low-ranking Ihei to avoid becoming the clan lord's mistress. Into the mix comes Oba Gunjuro (Tetsurō Tamba), a mysterious ronin who will do anything for money. This leads to a fitting climax as the forces of hate and love converge while the couple attempt to break through the border!

Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.

Shimamura is a violent street thug who joins the yakuza & is merciless & unscrupulous on his rise, lacking any sense of either duty or chivalry. When imprisoned, he is repeatedly transferred from one prison to another, because no one can handle him.

Young Lord Takenaka stands to succeed his father until a series of violent actions lead his retainers to think that he has gone mad with blood-lust. Never offering any explanation, he continues his seemingly unprovoked attacks until he is sent away from his domain.

A samurai detective film.

During the tumultuous end of the Tokugawa shogunate, the Tengu Party rose in rebellion in Mito. Friends from their hometown, Tanaka Genzo and Fujita Koshiro, each walked different paths. Koshiro, who upheld the philosophy of "Revere the Emperor, Expel the Barbarians," became a leader of the Tengu Party, taking refuge in the mountains. Genzo, however, did not have any particular ideological stance.

A period mystery in which an unconventional priest exposes the truth behind the bizarre death of a maid in the shogun's harem. Kinuyo Tanaka stylishly plays a constantly intoxicated geisha in this all-star entertainment film.

Second film of the Gokudo series starring Tomisaburô Wakayama

A continuation of the prior film (影法師).

A yakuza leader must balance his violent tactics necessary for the rough streets of 1960s Tokyo with the domestic needs of his daughters.

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

The university professor Ozeki Hitoshi (Ryu Chishu) is regarded as an eccentric by people in his surroundings. When his daughter Tokiko is asked to marry a colleague, she and her mother are overjoyed, but Hitoshi is not satisfied with the situation.

Hatamoto Ooka Gentaro was deeply committed to a future with a beautiful girl named Omachi, a relationship facilitated by his love of the shamisen. Omachi was stalked by a ronin named Akiyama Kanosuke, and at one point, Gentaro and Akiyama dueled at Matanuiyama, but the confrontation was left unresolved when Omachi, sensing urgency, called the authorities. Meanwhile, Gentaro's uncle, Kii-no-kami, concerned about Gentaro's whereabouts, ordered him to investigate a conspiracy by Tachibana Tadama, a tyrannical director of Hachijo who exercised his power oppressively in Shimousa Iioka. Gentaro attempted to leave on a journey with Omachi but was obstructed by his uncle's retainers.

The masked avenger Kurama Tengu is linked to a plot to bring down the Tokugawa shogunate, but is it really our hero, or an imposter?

1957 Japanese movie

When the future of his construction company falls into danger, a controlling father pushes his children into unsatisfying marriages and careers in order to regain financial stability.

A country boss gives up his way of life because of his daughter's marriage.

During the era of Tokugawa Ieyasu, one night a carver named Fujijiro was murdered. Immediately launching an investigation, Denhichi, accompanied by Otoshi and Take, toured the entertainment houses of Ryogoku. There, they discovered a connection between an acrobat and the incident. On their way home, Otoshi unexpectedly encountered an old friend, Inosuke, nervously buying a dagger. Inosuke, a clerk at the Kashimaya store, was in love with Oko, a secret lover of Bunzaemon. Amidst this, Seihei, the head clerk, was murdered by someone, and a dagger belonging to Inosuke was found at the scene, leading Gohei to suspect Inosuke as the culprit. However, Otoshi was hiding Inosuke. Driven by Otoshi's plea and a professional instinct that Inosuke wasn't the perpetrator, Denhichi desperately searched for the real culprit.

Third film in the 'Travels of Lord Mito' franchise.

In Marugame Domain of Shikoku, a low-ranking foot soldier named Tagami Genbachi was envied for marrying Tsuji, the most beautiful woman in the domain. However, due to a personal grudge held by Horikawa Gentazaemon, the swordsmanship instructor, Genbachi met an untimely and bitter death through foul means within the precincts of the Hachiman Shrine. Due to the domain's oppressive treatment of those of low status, Tsuji, now with her infant son Botaro, was dispossessed of her home and exiled.

A shikakenin was an under-the-cover trade that undertook killing in Edo. Hanemon of Otowa, an agency that introduced laborers and maids, was also one of these. Katsugoro Iseya was a timber dealer who had come in as a client. His target was the constructions magistrate Hanno, and the Tatsumiya who sipped on the benefits. Hanemon who had a stong code towards killing, where he would only kill those who do no good to be in the world, accepts this request. Baian Fujieda, a needle doctor would carry out the killing. However, the professional killer Baian fails to bring down Tatsumiya. Hanemon then looks to another shikakenin, the ronin Sanai Nishimura for the role. Although Sanai's ability with the sword is good, he lives poorly in a tenement, and accepts this commission on the condition that it is kept a secret from his wife and child. Here, they close in on Hanno and Tatsumiya again...