Katsuhito Inomata

In the dying months of the Meiji era, a sympathetic student befriends a married couple, but soon realizes they share a curiously strained relationship stemming from an unknown incident in their past.

In post-war Japan, The Second Drawer follows Funada, a devoted company man whose planned family trip is disrupted by the sudden death of his boss. Thrust into a delicate business negotiation and a chance encounter with a mysterious woman, he becomes entangled in a quiet storm of corporate intrigue, personal sacrifice, and emotional complexity. As relationships shift and secrets surface, Funada must navigate the fine line between duty and desire in a world where ambition and morality rarely

A movie adaptation of Funayama Kaoru's novel of the same name, which depicts the story of a modern youth who is attracted to the evil path. Saburi Shin, a well-known actor who also demonstrated his skill as a director in a bold social work, embodies a person with a complicated dilemma in a shadowy manner, and is a dramatic work that plays a part in the lead role.

First part of the famous Dai-bosatsu toge trilogy, based on Kaizan Nakazato’s unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesnt hesitate to kill anyone, bad or good. Despite the authors explicit refusal, the series were later made into plays and movies several times.

A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.

Film directed by Yasuki Chiba, based on the novel of the same name by Tatsuzou Ishikawa.

Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!

The premature death of a young mother serves as inspiration for her husband and son.

Half a Loaf... Avarice / Yoku

Three couples connected to rival business and theatrical families navigate complicated romances, workplace disputes, and family opposition.

This is the second installment of the trilogy based on Japan’s greatest novel “The Great Bodhisattva Pass”, following the life and times of bloodthirsty samurai, Tsukue Ryunosuke. Blinded in an explosion and further injured from a fall, the master swordsman is taken in by Otoyo, a woman who falls in love with him. Under Otoyo’s dedicated care, Ryunosuke’s physical and emotional wounds seem to heal. However, deep inside, the demons that drive him to kill yearn to resurface. Meanwhile he is being pursued by Utsugi Hyoma, a young samurai seeking to avenge his brother’s death at Tsukue’s hands. Hyoma is being aided along the way by the clever thief Shichibei.

Battles of an average salaryman.

A touching action film about a young yakuza who becomes infected with evil because he has the ability to easily decipher the mechanism of a safe. After being released from prison, he hopes to be rehabilitated thanks to the love of his family and risks his life to fight the evil that stands in his way.

Following the unexpected death of her father, stage actress Emi Ikushima has to navigate the pitfalls of her rising fame and her increasingly complicated love life.

Based on the novel by Yoshie Hotta