Inés Murillo

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

While trying to save the famous Tivoli burlesque theater, the participants uncover a web of commercial corruption.

A Catholic priest in a poor community lives a charitable life in accordance with his religious principles, but others do not return the favor.

In this Mexican version of Winterset (inspired by the 20s Sacco Vanzetti case) an idealistic youth searches for the culprit behind a crime that his father was wrongly accused of several years before.

A 1968 film.

Luisa returns to her village, where she cares for her uncle on his deathbed, who tells her the story of his life with a hidden purpose.

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

Mario Moreno portrays a professor in this movie. A small town in the middle of no where requests the school Mario Moreno is working in for a teacher. He ends up going to give the town a hand. When he arrives he comes to know the corrupt leaders who through out the movie try to make him leave. Although he is being harassed you can see how much he cares for the kids and their circumstances. He deals with problems by using his hilarious comments.

A smuggler, condemned to be shot, is pardoned in exchange for kidnapping "La Valentina."

A guy is peer-pressured, despite his reluctance, to play the role of Christ in a local production of the Passion Play.

A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.

Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

A man hated by his father and in love with a beautiful woman whose brothers do not approve of the relationship and persecute him.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.

An outcast, Rodolfo Martínez, whom no one loves and whom everyone despises and undervalues ​​in his town of Valle Verde, in Mexico, decides to change his luck. He decides to invent that he has a very important ancestor and that is why he deserves a statue that will remind future generations of everything he has done. Rodolfo doesn't care what happens, all he wants is to stop being a failure and for people to see him as an equal.

Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.

A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away.

Anna is a psychologist undertaking research about famous suicidal women. She takes a specific interest in the case of Antonieta Rivas Mercado, who killed herself in 1931 in the Cathedral of Notre-Dame de Paris.

When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…

Stranger with a dark past infects a small-town girl with HIV, and the contagion spreads out from there. Public health officials get involved...

The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.

The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.