Alec Lovejoy

Ted Gregory is trying to be the first black producer to mount a show on Broadway, but he has trouble with his star singer.

Dramatic events in a Harlem apartment house center around Pa Wilkins, chosen by the Better Business League to replace their ousted, crooked leader Marshall...who wants revenge; and Pa's ward Jim Bracton, a two-timing Romeo whose affairs are coming to a crisis. And hanging around is Marshall's murderous junkie henchman, Lomax. Will it all end in someone's being killed?

After graduating from Harvard University, Peter Siner returns to his small Tennessee hometown, where he hopes to start a school for black children.

Naomi, a light-skinned Black child, is abandoned by her mother and raised by the virtuous Mrs. Saunders. When the girl's fixation with whiteness turns her against her own race, she is sent to a convent. Hopelessly in love with her adoptive brother Jimmie, Naomi consents to marry his friend, but is repulsed by his darker skin and unrefined ways.

Hardworking Minnie (Cora Green) marries "Dollar" Bill (Bud Harris) a shady gambler after her money and her attractive daughter, Sue (Izanetta Wilcois). Sue meanwhile, is in love with Bob (Carl Hough), an idealist fond of looking out over the skyline and saying "Harlem... there's so much to be done here--it's fairly screaming for leadership." When Bob decides to organize the community against local racketeers he little realizes would-be father-in-law Dollar Bill is one of them. Bill meanwhile has problems of his own: A vicious white mob from lower Manhattan is muscling in on his action, and bullets are about to fly.

It is the story of a comedian Lem Anderson who dreams of playing in Shakespeare scenes but he is applied only role in Harlem Vaudeville. One day he is the witness of a crime and the mobster strongly advised him to leave the town...

In this all-black cast short, legendary blues singer Bessie Smith finds her gambler lover Jimmy messin' with a pretty, younger woman; he leaves and she sings the blues, with chorus and dancers.

Reverend Jesse Hampton has a bone to pick with the management of Club Harlem, a wildly popular nightspot where drinking and dancing are the rule. No old-fashioned prude, the Reverend tries to see the positive side of the juke joint activities, knowing that the jitterbuggers are basically decent kids who just need to blow off a little steam. But the preacher sees red when the club opens on the Sabbath, threatening to turn the good townsfolk into Sunday sinners. An upcoming dance contest seems destined to become a showdown between the powers of light and darkness.