Víctor Herrera

Cantinflas, who owns a cleaning business, cleans the windows of the house of a famous French actress. While carrying out his work he observes how a man steals one of the famous actress necklaces, but he can only see his back.

A taxidermist decides to murder his wife after having to put up with her after twenty years of hellish marriage.

A couple are forced to stay in a scary castle, and the castle is filled with monsters!

Cantinflas works as a model of tuxedos in a prestigious store, your job is to use the smoking in the street along with an advertising sign on his back. The use of smoking gives you access to exclusive places and meet important people. During this time, Cantinflas was the manager of an amateur boxer, it is an attractive nurse assistant and occasionally attending a priest in the church and the orphanage. However, a Cantinflas day while wearing tuxedo, is a rich man, who mistakenly believe that Cantinflas is a millionaire too.

Inocencio Prieto y Calvo receives a letter telling him he is the heir to his uncle's fortune of two million pesos. Not being able to read he has no idea of who sent the letter or its content. So he goes to the drugstore because the pharmacist can read the letter to him. But while waiting to be helped he sees that a young girl can read. He figures he has to be able to discover the letter's content by himself and decides he will save the letter and go to school, and wait to read the letter on his own.

A federal policeman arrives in a town ravaged by a cult of hooded men who leave a satanic face on their victims.

A 1940 film directed by Manuel R. Ojeda,

Working-class girl-next--door type is seduced into a high-glam lifestyle when an oily promoter helps launch her as a nightclub singer; she throws over her decent-simple-guy boyfriend and loses her moral compass.

El Kid Azteca not only fights to become someone in life; he also fights for the love of Avelina, who shows no interest in him when she sees that fame has gone to his head.

A couple in crisis receives a mysterious visit from the devil, who offers them a tempting solution to their problems-but his true intention is to claim their souls in exchange.

Adapted from "Le mortel baiser", a stage play by French writer Loïc Le Gouriadec (also known as Paul Gury). The story follows Cecilia, the daughter of a wealthy and conservative family, who is about to marry the son of the town's mayor. When a physician specializing in venereal diseases arrives in town, he examines Cecilia's fiancé and informs him that he is still suffering from syphilis, which has advanced significantly since he contracted it years earlier.

A father imposes conditions on his son in order to inherit his fortune, unaware of what true love is capable of. The son accepts his father's terms and faces a series of challenges that ultimately lead him to become the heir.

In Sierra Negra, graverobbers Barraza and Mendoza steal the coffin of Count Karol de Lavud, before heading to a hospital. Barraza sees a medallion upon the coffin's opening and demands more money from Mendoza. Meanwhile, Marta González, recovering from traumatic events, works as a nurse with Dr. Saldívar. When Barraza removes the wooden stake in order to steal Lavud's medallion, the vampire returns to life and begins a crime spree, hunting down Marta to marry her.

With revolutionary Mexico as a backdrop, a successful local rancher returns triumphant from the war to the praise of townsfolk, and "El General" is ready to take a wife. However the senorita of choice already has fallen for a secret admirer, and a boyhood rival who is threatened by the General's popularity in turn plots against his life.

A married man's double life unravels when his city acquaintance encounters his daughter back home, threatening to expose fifteen years of deception about his frequent urban getaways.

Ambitious young woman climbs the social ladder. A bit too fast.

Based on the novel "La parcela" by López Portillo and Rojas. The story explores conflicts over land, power, and honor between two rival landowners (the compadres Miguel and Pedro), whose sons struggle to overcome this dispute so they can pursue their love.

Marital problems and Ofelia’s physical and mental illness (Rosa Carmina) drive Emilio (Francisco Petrone) to seek pleasure. He meets Carmina, a prostitute who, together with her pimp, plans to ruin him by mocking his situation.

A 1941 film directed by Vicente Oroná.

A disfigured woman is helped by a talented composer to recover her face with plastic surgery. Then he discovers that she's a beautiful woman and a talented singer.

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

A spirited, humble woman named Tita vows to do everything she can to make her son Rey's dream of becoming a professional soccer player come true.