Patrick Macnee

Acting

Patrick Macnee

Born February 6, 1922 · Paddington, London, England, UK

Died June 25, 2015 · aged 93

Patrick Macnee was an English actor, best known for his role as the secret agent John Steed in the series The Avengers (1961-1969).

Known For

A View to a KillA View to a Kill · 1985
A View to a Kill
6.31985
MovieAdventureAction
A newly-developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin who forms a plan to destroy his only competition in Silicon Valley by triggering a massive earthquake in the San Francisco Bay.
This Is Spinal TapThis Is Spinal Tap · 1984
This Is Spinal Tap
7.41984
MovieComedyMusic
"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.
The AvengersThe Avengers · 1998
The Avengers
4.41998
MovieActionAdventure
British Ministry agent John Steed, under direction from "Mother", investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August.
The HowlingThe Howling · 1981
The Howling
6.61981
MovieHorror
After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.
Battlestar GalacticaBattlestar Galactica · 1978
Battlestar Galactica
6.91978
MovieScience FictionAdventure
After the destruction of the Twelve Colonies of Mankind, the last major fighter carrier leads a makeshift fugitive fleet in a desperate search for the legendary planet Earth.
WaxworkWaxwork · 1988
Waxwork
6.11988
MovieHorrorComedy
Wealthy slacker Mark, his new girlfriend Sarah, and their friends, are invited to a special showing at a mysterious wax museum which displays eighteen of the most evil men of all time. After his ex-girlfriend and another friend disappear, Mark becomes suspicious…
ScroogeScrooge · 1951
Scrooge
7.41951
MovieFantasyDrama
Ebenezer Scrooge malcontentedly shuffles through life as a cruel, miserly businessman, until he is visited by three spirits on Christmas Eve who show him how his unhappy childhood and adult behavior has left him a selfish, lonely old man.
HamletHamlet · 1948
Hamlet
7.41948
MovieDrama
Winner of four Academy Awards, including Best Picture and Best Actor, Sir Laurence Olivier’s Hamlet continues to be the most compelling version of Shakespeare’s beloved tragedy. Olivier is at his most inspired—both as director and as the melancholy Dane himself—as he breathes new life into the words of one of the world’s greatest dramatists.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.