André Gide

On Christmas Eve, Swiss minister Jean Martens takes in a blind, half-crippled orphan and brings her up among his own four children. But Gertrude grows into a woman and Jean gradually falls in love with her without admitting it to himself. On the contrary, he lulls his conscience by interpreting the Scriptures to his advantage. But neither his wife nor his oldest son are fooled. Following a long-delayed operation, Gertrude recovers her sight but she is not long to find out that sin has corrupted the soul of her benefactor.

A film adaptation of André Gide's book The Pastoral Symphony.

About the Gabriel Matzneff affair and pedophilia in French culture and society from the 1950s to the present day. "It was not very difficult to know who Matzneff was at the time." Vanessa Springora denounces thus, in an interview with the Parisian , the support which benefited the writer Gabriel Matzneff , in the years 1970 and 1980. The author fifties then maintains an affair with the young girl, aged 14 years. A relationship under control that the editor tells in Le Consentement (éd. Grasset), published Thursday. "After having analyzed the work " , the Paris public prosecutor's office announced Friday January 3 the opening of an investigation for "rapes committed on the person of a minor of 15 years".

Soon after Marius's departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius's father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse.

The plot revolves around Bernard – a schoolfriend of Olivier's who is preparing for his bac – discovering he is a bastard and taking this as a welcome pretext for running away from home. He spends a night in Olivier's bed (where Olivier describes a recent visit to a prostitute and how he did not find the experience very enjoyable). After Bernard steals the suitcase belonging to Edouard, Olivier's uncle, and the ensuing complications, he is made Edouard's secretary. Olivier is jealous and ends up in the hands of the cynical and downright diabolical Comte de Passavant, who travels with him to the Mediterranean.

Freed after spending years in prison, an activist's homecoming turns into a dark affair as his disillusion clashes with his family's expectations. Demonstrating Chahine’s eclecticism, this is an elegant melodrama, exuberant musical, layered allegory, and profound portrait of personal and political disillusionment.

A former teacher, who reforms dropout students with Confucian teaching, decides to take care of a blind girl, who has been abused by her parents.

Cinema has long fed our fascination with other cultures, and appears to be just one facet of what is a fundamentally visual fascination. One of the most elaborate manifestations of this was the 1931 Exposition Coloniale Internationale, held in Paris to celebrate ‘la France des 5 continents’. This exhibition sought to represent to the people of France their colonial world by reordering and reconstructing it into scenes or tableaux of everyday indigenous life. This entailed shipping over scores of indigènes and forcing them to act out the gestures of their ‘everyday lives’ under the eyes of 1930’s Parisian society. A slightly less elaborate, although equally controversial at the time, visual representation of The Other was one of the first film documentaries to be made which sought to represent the lives of a colonised people, Marc Allégret’s Voyage au Congo.