Georges Neveux

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

A Dutch slave captain, on a voyage to Cuba, faces a revolt fomented by a newly captured African slave, Tamango. The slaves capture the captain's mistress, forcing a showdown.

Vienna, 1906. A passionate love story develops between Franz Lobheiner and the young Christine. Lobheiner is, however, currently seeing the married Baroness von Eggersdorf. Upon learning of his wife's infidelity, the Baron von Eggersdorf provokes a duel with Lobheiner. But the former is no longer a real threat to the Baron. Lobheiner is now passionately in love with Christine. How will this love quartet end?

Madame de Montespan, the Maîtresse-en-titre of Louis XIV, has been in disgrace since the King set eyes on a younger beauty, Marie-Angélique Scorailles. Having had enough of the situation, the rejected mistress decides to visit La Voisin, a woman known as a fortune teller, a doctor, a midwife and who is also said to arrange black masses and sell poisons. Some time later Marie-Angélique, now Duchess of Fontanges, dies mysteriously aged only twenty...

Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

Marcel, rich and alone for Christmas, invite Françoise to celebrate with him. Soon, the fairy tale turns into a bad dream.

A bank employee who stole money at work falls in the hands of a dangerous escaped convict whose girlfriend is going to help him out of this mess.

Michel has stolen from his employer, Mr Bellanger, for the love of Juliette. He is now in jail. One night, while sleeping in his cell, he wakes up all of a sudden, the gates open and he finds himself in a strange village where all the inhabitants have lost their memory. There, meets Juliette again who seems to agree to marry a powerful man, who might well be Bluebeard...

A slippery femme fatale, a spy for Germany during the Great War, is sent to Thessaloniki in Greece and becomes involved with a man on the other side, a French military officer.

"Everybody is ill: you just don't know it yet". Knock, a newly arrived physician takes over a small town through fear and authority. NB : this is a different movie from the 1951 version where Louis Jouvet also plays Dr Knock.

A love between a teacher and his assistant is thwarted, because of their too great age difference.

Saint-Maurice, an ordinary peaceful village, lived healthily so much so that the local doctor's practice was scant. But that was before Dr. Parpalaid retired and was replaced by a charlatan by the name of Knock. A real genius this one, for he soon managed to persuade everyone that they were ill. And not only didn't they resent him but they even loved their physician, who made a fortune and brought prosperity to the village by turning it into a big hospital.

A French-language remake of Douglas Sirk's "The Court Concert" (1936).

A stranger named Constant disrupts the life of Flora, who is seemingly happy with her husband Lucien. But she suddenly experiences a passionate love, taking refuge with Constant in a cave they call “home under the sea.”

It all happens in a hospital waiting room. While his young wife has just had a serious accident and is undergoing surgery, the husband relives, in his memory, the reality of their near past, or what he would have liked his marital union to be. At the outset, this young couple took as their model the famous couple from "Les Liaisons Dangereuses" and their line of conduct: complete freedom for everyone, as long as they confide in each other about their adventures.

By mutual agreement, a man and a woman are separated to allow the wife to join her lover.

Gaston, nicknamed Pilou, has left his native village and Yvette, the girl of his heart, to go to Paris where he has found work as a painter. He is a naive good-natured man who, like most of his fellow-workers, favors a little song or two while he works. For the time being he is busy repainting the exterior of a block of flats and, when he does not sing to pass the time, he looks through the windows, observing the tenants in their daily lives. As time goes by, he goes as far as intervening and changing the course of their lives. In the end, despite having found a lookalike of his fiancée, he returns to her.

François Vidocq has been sentenced to eight years' hard labor for a crime he didn't commit. Escaped with the help of his faithful friends Desfossés and Fil de fer, the convict is pursued by his lifelong enemy: the policeman Flambart. Between scams and disguises, Vidocq initially leads an undercover life in 19th-century Paris. Eventually, the two men team up to fight criminals... And Vidocq succumbs to Annette's charms.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

Based on the memoirs of Eugène-François Vidocq, this series follows the adventures of this former convict turned policeman in the early 19th century. In these new adventures, Vidocq comes up against a ravishing “baronne”, a formidable gang leader. The cases entrusted to Vidocq are not only police affairs, but also delicate, political and even diplomatic affairs.