Daniel Pennac

Celestine is a little mouse trying to avoid a dental career while Ernest is a big bear craving an artistic outlet. When Celestine meets Ernest, they overcome their natural enmity by forging a life of crime together.

There is something strange - some would even say abnormal - about the Malaussène family. But if you take a closer look, no one could be happier than this cheerfully chaotic family, even though their mother is usually off on one romantic adventure or another. Life is never a bore for Benjamin Malaussène, professional scapegoat and the older brother responsible for this horde of kids. But when incidents happen wherever he goes, police and colleagues begin to eye him suspiciously. It soon becomes a matter of life and death to find out what is going on and who is so interested in ruining his life. Written by Pathe International

After a long time, a blue wolf, locked in the cage of a Paris zoo, winds up allowing Afrique, a young boy who visits him day after day, to come close to him. As the wolf is one-eyed, the boy has the idea to shut one eye himself and thus manages to communicate with the proud wild animal. Wolf and kid then start telling each other the story of their respective lives...

To punish three troublemakers, Albert Castraing, their French teacher, gives them an essay to do, in which they must imagine what their lives would be if they were suddenly transformed into adults. The next morning, the three twelve-year-old boys realize to their amazement that...they HAVE BEEN transformed into adults! As for they parents they have become...KIDS! It is the beginning of a series of mishaps for Joseph, a Jew, Igor, a catholic and Nourdine, an Arab...

Rehearsals for a play about Maradona in Naples, with Italian actors and an Argentine director. Nothing about Maradona except anecdotes about his figure from the Neapolitans; one of the actors had come to play football. They were all 'touched' by Maradona, as is logical. Pennac is very intelligent, but he has never seen a ball in his life: his fascination comes from the public figure of Maradona, from the totem, from the stupor that invaded him when many friends confessed to having cried at his death. The spectator, Maradonian or not, has an irrepressible desire to travel to Naples and join the song that he sees towards the end of the film, which is moving and overwhelming in its beauty and simplicity. Ideal for theater lovers, or Maradona lovers, or both.