Emile de Antonio

Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in the film include Willem de Kooning, Jasper Johns, Andy Warhol, Robert Rauschenberg, Helen Frankenthaler, Frank Stella, Barnett Newman, Hans Hofmann, Jules Olitski, Philip Pavia, Larry Poons, Robert Motherwell, and Kenneth Noland.

Emile de Antonio's film decimates Richard Nixon and exposes him as a paranoid, power mad lunatic... de Antonio compiles (via video and film) what amounts to the "best of" one of the worst political figures of the 20th century. Nixon was a shameless self-promoter while trying desperately to convince everyone that he wasn't. Through Alger Hiss and the "Checkers" speech to the character assassination of Helen Gahagan Douglas (among others), there are few stones left unturned.

Dramatization of the trial of Christian anti-war activists, known collectively as the "Plowshares Eight". In September 1980, they broke into a General Electric weapons plant in King of Prussia, Pennsylvania, and in an act of protest against nuclear proliferation, poured vials of their own blood onto secret missile plans, burned other files, and damaged nosecones intended for nuclear missiles. The direct-to-video production is intercut with clips from actual news coverage of the trial. The "Plowshares Eight" portray themselves in the production, and after taping was complete, reported to court for their imprisonment.

A mediocre musician goes on the road in search of the world's greatest guitar maker.

Mark Lane interviews witnesses to the Kennedy assassination and exposes serious flaws in the conclusions made by the Warren Commission.

Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for Private David Schine, formerly of McCarthy's investigative staff. McCarthy accused the Army of holding Schine hostage to keep him from searching for Communists in the Army. These hearings resulted in McCarthy's eventual censure for conduct unbecoming a senator.

At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.

The tumultuous year of 1968 and the candidacy of Eugene McCarthy for the U.S. Presidency, culminating in the Democratic convention in Chicago.