Santiago San Miguel

Joaquín goes to Russia for business. There he falls in love with Tatiana, a young and beautiful interpreter who asks her to accompany him on his return as a maid - secretary - interpreter - lover or whatever.

The confrontation between two families over possession of the land gradually becomes a great slaughter where almost all the members of one the sides dies. One of the survivor will take justice into his own hands.

Luys Forest is a writer with a Falangist political past. He lives isolated in a coastal town, writing his memoirs (actually rewriting and adapting his autobiography with the times), and brooding over his failed marriage. His sister is worried about him and decides to send her daughter Mariana to stay with him. Mariana and a seemingly mute and artistic lesbian companion come to town to shake the stable world of Luys with their free and uninhibited ways. Soon begins a game of seduction that ends up exposing the intellectual game of Luys.

Ignacio Costa is a tyrannical businessman with a conflictive personal life. He has a large family, a woman he abuses and humiliates and five children with whom he does the same, except for Mariana one of the girls. Tired of so many vexations, his wife will begin to influence his children until together they will plot the murder of the father

Alice is a girl devoid of affection seeking refuge in the images shown in the movie screen of a theater that his father manages in the Venezuelan Andes. This creates improbable stories in which she is the protagonist...

Azaña tells the story of the last president of the Second Spanish Republic after the military uprising that led to the tragic Civil War. The film recreates and humanizes the life of the distinguished political figure, Azaña, until his last days in Montauban through the harshness of exile.

In the process of illness and death of the father of three sisters (Eva, Julia and Perla) they confront each other, their lives, their past, their hopes and frustrations in a middle class environment. It is based on an idea by Mauricio Walerstein and Ibsen Martínez.

Filmed in 1963, but not released in Spain until 1967, the film depicts the failed romance between a bourgeois French tourist girl and a Spanish working class boy.