Santiago San Miguel

Joaquín goes to Russia for business. There he falls in love with Tatiana, a young and beautiful interpreter who asks her to accompany him on his return as a maid - secretary - interpreter - lover or whatever.

Victoria, a beautiful woman, breaks into a large house, where strage people live without ever leaving the house. There is an enigmatical man who controls the lives of these people and the visit of Victoria will unchain passions and disclose the true feelings represed into their souls.

The confrontation between two families over possession of the land gradually becomes a great slaughter where almost all the members of one the sides dies. One of the survivor will take justice into his own hands.

Luys Forest is a writer with a Falangist political past. He lives isolated in a coastal town, writing his memoirs (actually rewriting and adapting his autobiography with the times), and brooding over his failed marriage. His sister is worried about him and decides to send her daughter Mariana to stay with him. Mariana and a seemingly mute and artistic lesbian companion come to town to shake the stable world of Luys with their free and uninhibited ways. Soon begins a game of seduction that ends up exposing the intellectual game of Luys.

Alice is a girl devoid of affection seeking refuge in the images shown in the movie screen of a theater that his father manages in the Venezuelan Andes. This creates improbable stories in which she is the protagonist...

Spain, 30's. Fabian Insausti (Juan Luis Galiardo), which has become a rich landowner in Venezuela, returns to his hometown due to the death of his mother. One day he decides to visit an old mansion converted into a luxury brothel, and there falls in love with Ana (Maribel Verdú), a young prostitute. He asks her to accompany him, but she is not willing to give up the luxury of home run by Charo, for her real mother. So the owner Fabian offers its pupils move to Venezuela, under the same conditions they have here.

Azaña tells the story of the last president of the Second Spanish Republic after the military uprising that led to the tragic Civil War. The film recreates and humanizes the life of the distinguished political figure, Azaña, until his last days in Montauban through the harshness of exile.

In the process of illness and death of the father of three sisters (Eva, Julia and Perla) they confront each other, their lives, their past, their hopes and frustrations in a middle class environment. It is based on an idea by Mauricio Walerstein and Ibsen Martínez.