Keiko Awaji

A U.S. Navy pilot and his squad are assigned to bomb a group of heavily defended bridges deep behind enemy lines during the Korean War.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

Story of a gangster (Mihashi), newly released from prison, who specializes in blackmail. His standing in the underworld declining, he makes the risky move of blackmailing a government official tied to the Japanese mob.

Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.

Akira, a teacher from Tokyo, has just arrived in a small rural town to begin his new job. Soon after arriving, he meets, and begins to fall for, Miki, a papermaker and part of a large and unusual family. When he learns of an ancient legend that the family carries the curse of the Inugami, or Dog God, he brushes it off as silly superstition. After a series of mysterious deaths, however, the townspeople begin to grow restless, and Akira must confront the truth about Miki and her family.

At the close of the war in Japan, a widowed mother makes every possible sacrifice to bring up her ungrateful son and daughter who are unimpressed with their poor standard of living at home. They gradually reject her in search of the material comforts that working as a maid cannot provide. The mother's despair becomes interminable.

A woman remembers her own marriage when dealing with the love life of her son.

Writer-director Gu Su-yeon's new film draws on his own semiautobiographical account of growing up as a delinquent zainichi Korean (Japanese-born, but of Korean ancestry) in the seaside city of Shimonoseki in Yamaguchi Prefecture, a working-class hellhole overflowing with sex and fury. Day after day, (fictional) Gu finds fresh foes and makes the local hoodlums want to kick his ass. While working multiple dead-end part-time jobs, he cruises around town on his scooter in search of gangland trouble: leaping across rooftops with irate hordes of punks in hot pursuit, running off with a fetching belle in a sailor suit, rescuing a schoolgirl from being gang-raped at a glue-sniffing orgy…

Elderly ladies rise to the challenge of staging a play and struggle to launch a theater company. Based on the actual amateur theater company "Theatrical Company Hono" in Fujieda City, Shizuoka Prefecture, where the presiding officers and performers are composed of elderly women. They have been performing stage plays about issues related to the elderly for a long time.

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.

The rise to power of the famed Lady Kasuga no Tsubone, who established the 'Ooku' (the women's quarters at Edo castle) and acted as nursemaid to Tokugawa Iemitsu, the future 3rd Shogun is chronicled in this historical drama. Intrigue and suspicion abound as the two brothers Iemitsu and Tadanaga vie for the post of Shogun, while behind the scenes the remnants of the defeated Toyotomi faction, lead by Lord Ishida Mitsunari attempt to discredit the Tokugawa Shogunate and regain their former position as rulers of the nation. The hidden battles between Shogun Hidetada's wife and mistresses of the 'Ooku' come to light as they force the two brothers into a life or death struggle.

After being fired from his company, Hitoshi Ueda opens a arbitration company. Experts from various fields gather around him and with their natural vitality, they solve one dispute after another. But as it turns out, their next dispute will be at a global scale.

Shinji (Kawaguchi Takahiro), who wanted to be a writer, impersonates a depraved man by the name of Tokio and sends constant e-mails to his wife Misa (Komatsu Miyuki). Misa eventually succumbs to his passionate e-mail advances, and decides to meet him under the condition that she does so blindfolded.

After running away from her mother, Ashiko works as a maid at an inn and changes her name, but she finds herself torn between her past and a new relationship with a lonely trader on the beach of Atami.

Seven employees rise up in rebellion against an irresponsible company.

Three beautiful daughters grew up in a dog and cat care clinic. The eldest was named Takako (Keiko Tsushima), the second was Tsugumi (Keiko Awaji), and the third was Mihato (Hibari Misora). Mihato was still a pretty seventeen-year-old girl, but she considered herself as mature as her older sisters. Mihato knows that Tsugumi is friends with Ippei Yaguchi (Masao Wakahara) and acts as a love messenger between them, but she didn't know that Takako is also in love with Ippei...

A man who seemed to have found happiness with a wife and child loses his wife and his daughter gets married... A man's life, full of joy and sorrow, is vividly depicted to the tune of "Moonlit Desert" in this humanistic drama full of pathos, starring Hisaya Morishige.

Comedy about a husband and wife.

Reiko Akigawa has been married for three years, has a banker husband and a seemingly happy married life, but has a secret side: she is a state secret agent. One day, newlywed Kaori, who lives next door, commits suicide by jumping from her flat. Reiko sets out to investigate and discovers that boys have been attacking women every day as if it were a game. She also learns that Kahori was raped by these boys, and that they used the photos as material for repeated rapes. Reiko receives an order from the command centre to eliminate the boys and goes to their hideout by herself...

A mysterious humanistic period drama, setting in the Edo Period. As Okappiki, unofficial collaborators who played a marginal role in police functions, Moshichi (Takahashi Hideki) solves a number of mysterious incidents that occur in downtown Edo.

Using his wit and quick thinking, Boss Shichi brilliantly solves a series of baffling incidents that occur in the lower districts of Edo.