Billy Dix

In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.

One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.

Henry Fleming is a young Union soldier in the American Civil War. During his unit's first engagement, Henry flees the battlefield in fear. When he learns that the Union actually won the battle, shame over his cowardice leads him to lie to his friend Tom and the other soldiers, saying that he had been injured in battle. However, when he learns that his unit will be leading a charge against the enemy, Henry takes the opportunity to face his fears and redeem himself.

Aging gunslinger Jacob Wade hopes to settle down with his estranged son, but his old enemies have other plans for him. Gunslinger Jacob Wade finds his long-abandoned son Riley, now a young man who hates his father but has nowhere else to go. Hoping to settle down, Jacob finds no town will have him. They end at Monolith, the ranch of Jacob's former girlfriend Ada, to whom he had no intention of returning. A mustang hunt finds Riley himself attracted to the shapely Ada...and Jacob having trouble with his eyesight. And his visions of a quiet life are doomed by the re-appearance of enemies from his past...

Late in the Civil War, three Confederate soldiers escape from a Union prison camp in Missouri. They soon fall into the hands of pro-Confederate raiders, who force them to act as "outriders" (escorts) for a civilian wagon train that will be secretly transporting Union gold from Santa Fe, New Mexico, to St. Louis, Missouri. The three men are to lead the wagons into a raider trap in Missouri, but one of them starts to have misgivings....

A series of grisly murders plague a small mountain community and the sheriff suspects a local scientist whom he dislikes. Together with a former professor and the professor's pretty daughter, the scientist sets about solving the crimes and discovers the killer is an oversized 16th century conquistador, resurrected by a lightning bolt from his mountain grave.

Two smart marketing people resurrect some old films starring cowboy Smoky Callaway and put them on television. The films are a big hit and the star is in demand. Unfortunately no one can find him. When a lookalike sends in a photo, the marketing team hires him to impersonate Callaway. Things get sticky when the real Callaway eventually shows up.

Veteran cowboy star Johnny Mack Brown plays a cattle buyer turned prairie sleuth in this low-budget oater from Monogram, which co-stars perennial old-timer Raymond Hatton as a retired U.S. Marshal assigned to investigate the mysterious disappearance of a rancher. As the two old friends soon learn, a gang of smugglers headed by the town's banker (Frank LaRue) needs the use of the Flying Arrow Ranch for their nefarious purposes.

The owner of a silver mine, having repeatedly been the victim of the Silver Bandit, sends his clerk Spade Cooley who can neither ride nor fight west to investigate. The Sheriff has been unable to catch the bandit but when Spade finds him he will have to both ride and fight to bring him in.

A couple wash up on an uncharted island where Nazi experiments are going on.

Despite his unprepossessing screen personality, singing cowboy Jimmy Wakely was starred in a series of Monogram westerns, one of which was West of the Alamo. Wakely and comedy sidekick Lee "Lasses" White play a pair of government agents who work undercover to solve a series of baffling crimes. It comes to no one's surprise that the criminal mastermind is the town's leading citizen, in this case banker Clay Bradford (Jack Ingram). As was typical in the Wakely westerns, West of the Alamo is approximately 25 percent action and 75 percent musical. Among the guest warblers this time out is the Arthur Smith Trio, headed by a gospel singer who'd later emcee a popular religious TV talk show.

At the end of the Civil War, Sam White returns home to his ranch in the Texas ranch -The Panhandle - to find it in the hands of a gang of outlaws

When Aaron Baring signs on as wagon master for a group of settlers headed to Montana's Powder River Valley, his dictatorial style soon creates problems. When the settlers reach their destination, Baring unwisely declares war on the local Indians. When savvy frontier scout Jim Henry tries to promote cooperation between the natives and the newly arrived settlers, Baring responds by having Williams whipped.

Driving a herd of cattle to market, Jimmy finds the trail has been fenced off by an old friend of his. While the two sides try to settle the matter peaceably, a man from each outfit get together to try and start a range war between them figuring they will end up with the cattle. When cattle are rustled, Jimmy finds the clue, horses with shoes that make tracks that look like cattle.

Marshals Lash and Fuzzy are sent to get the goods on Duce Rago. To join Rago's gang, Lash decides to pose as an outlaw by wearing the known belt buckle of a notorious outlaw.

Jimmy Wakely wishes to sell to the government a group of wild mustangs which he has captured and trained for rancher Matt Blake. The competition is Flora Carter, the owner of a near-by ranch. The army colonel in charge decides to buy the winning horses of a cross-country race. Flora has her henchmen, led by Sam Phelps resort to foul means in order to try to win the race.

Produced, written, and directed by the veteran Elmer Clifton (here for obscure reasons billed Elmer S. Pond), Red Rock Outlaw had the audacity to feature its novice star, Bob Gilbert (who also wrote the original story), as identical cousins -- one good, the other bad. The good Gilbert, a rancher, enjoys a campfire singalong with the members of s stranded girls' band, falling in love with Carolina (Ione Nixon), a bleach-blonde looker, along the way. The bad cousin, meanwhile, is scheming with neighboring rancher Jim Martin (Forrest Mathews) to have nice Bob killed so they can combine their properties. Produced in 16 mm back in 1946 or 1947 and released on States' Rights by Screen Features, Inc., Red Rock Outlaw was merely an excuse to showcase a series of country & western specialty acts, including Wanda Cantlon, who, according to an onscreen credit, introduced the song "Alimony" and supplied choreography.