Ivo van Hove

In Roman tragedies, Ivo van Hove and Jan Versweyveld have created a unique arena in which Shakespeare speaks about our time more than ever and the political game in all its facets.

Daniele Gatti (then not yet as chief conductor) started a new chapter of this collaboration. Their spectacular 2017 production of Richard Strauss’ Salome is another highlight in the already impressive list. "If you were going to see just one Salome in your life, this would be a good choice" ***** Shirley Apthorp, Financial Times "What a magma of sound!" ***** Merlijn Kerkhof, Volkskrant "The level of precision and the way Gatti gradually increases the tension is almost unbearable… The effect is overwhelming and leaves the listener breathless." ***** Peter van der Lint, Trouw

There are elements of Macbeth in this political fable, in which the ghost of the child that Boris has had killed in order to seize the throne appears as an impostor. Adapting Pushkin's epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the real protagonist is the Russian people with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos. This is his first production for the Paris Opera.

One family, the heart of the American dream. When wartime delivers profits for Joe Heller, it comes at a price when his partner is charged with criminal manufacturing deals, and his eldest son goes missing in action. Will peacetime bring peace of mind, or will he be confronted by the consequence of his actions?

Following four college friends in New York City: aspiring actor Willem, successful architect Malcolm, struggling artist JB, and prodigious lawyer Jude. As ambition, addiction, and pride threaten to pull the group apart, they always find themselves bound by their love for Jude and the mysteries of his past. But when those secrets come to light, they finally learn that to know Jude St Francis is to understand the limitless potential of love in the face of life.

What is this flame that compels Don Giovanni to seduce, subjugate and conquer women one after the other, with the fervour and cold indifference of a predator securing his prey; to pursue through his conquests some obscure and ever‑elusive objective? For his second collaboration with Da Ponte, Mozart was to brand the history of opera with a hot iron and forever haunt European culture. In this Libertine Punished, Kierkegaard invites us to hear “the whisperings of temptation, the whirlwind of seduction, the silence of the moment”. The Mozart-Da Ponte cycle continues with a Don Giovanni entrusted to director Ivo Van Hove. In the wake of Boris Godunov, the director, accustomed to examining the political meaning of works, presents his second production for the Paris Opera.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Catherine maneuvers her way into Eve's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

Gino is a drifter, down-at-heel and magnetically handsome. At a road side restaurant he encounters husband and wife, Joseph and Hanna. Irresistibly attracted to each other, Gino and Hanna begin a fiery affair and plot to murder her husband. But, in this chilling tale of passion and destruction, the crime only serves to tear them apart.

On the occasion of the 400th anniversary of Molière’s birth on 15 January 2022, Ivo van Hove reunited with the Troupe for their third collaboration, a production of Le Tartuffe ou l’Hypocrite, the original version in three acts, banned at its premiere in 1664 and reconstructed thanks to the work of ‘theatrical genetics’ overseen by Georges Forestier and Isabelle Grellet.

A stage production with the similar plot of the 1976 film of the same name but uses stage devices and audio visual technology to immerse the audience as participants. As the distance between fact and fiction is reduced, mimicking the blurring of truth and fiction in contemporary news media

A rich American couple, a family of Dutch criminals, a French gay couple, a working class family from Germany and an illegal Moroccan youth and his kid brother, are all in Amsterdam, each with their own story. Different reasons make their paths intertwine, leading to a dramatic climax that changes their lives for ever.

Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.

The great Arthur Miller confronts the American dream in this dark and passionate tale. In Brooklyn, longshoreman Eddie Carbone welcomes his Sicilian cousins to the land of freedom. But when one of them falls for his beautiful niece, they discover that freedom comes at a price. Eddie’s jealous mistrust exposes a deep, unspeakable secret – one that drives him to commit the ultimate betrayal. The visionary Ivo van Hove directs this stunning production of Miller’s tragic masterpiece.

An aging Southern Belle complicates life for her ambitious son and crippled daughter because of her own warped views of what life should be.

In this worldwide bestseller, we watch four men over a period of more than thirty years: lawyer Jude, actor Willem, visual artist JB and architect Malcolm. The story is the history of their friendship, as they remain closely connected with each other during the rest of their lives. They develop their careers in the city where ambition and success are the indicators of a successful life: New York. Ivo van Hove adapts Hanya Yanagihara’s novel to theater and creates a penetrating performance.

No novel has captivated and moved millions of readers during the past few years like A Little Life by American author Hanya Yanagihara. Ivo van Hove adapted Yanagihara’s novel to theater and created a penetrating performance. Ramsey Nasr won the Louis d'Or (best male performance) for his portrayal of Jude.

Kings of War merges Henry V, Henry VI and Richard III into one explosive performance about leadership. In successive kings, Shakespeare sketches an image of political leaders, face to face with the ultimate responsibility for life and death in times of war. Shakespeare’s kings are political leaders who come face to face with the ultimate responsibility: they must make the life-or-death decision of whether to go to war. Shakespeare draws us into the psychology of the rulers, while also revealing the machinations of their courtiers and advisors. Kings of War lays bare the mechanisms of decision-making in times of political crisis, exposing the dichotomy between national interests and self-importance.

Inspired by the book, The Man Who Fell To Earth, Lazarus focuses on Thomas Newton, as he remains still on Earth - a 'man' unable to die, his head soaked in cheap gin and haunted by a past love. We follow Newton during the course of a few days where the arrival of another lost soul - might set him finally free.

American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

Ivo van Hove's direction of Les Damnés had its world premiere as the opening performance of the Festival d'Avignon. This theatrical adaptation, based on a film script by Italian film director Luchino Visconti, shows how a family of rich German industrialists is fatally corrupted by its collaboration with the Nazi party that has come to power. Family patriarch Baron Joachim resists and is liquidated. The struggle for the succession leads to an escalation of intrigues and manipulations, betrayal and murder.

Cameras exclusively capture the Oscar-winning French actress Juliette Binoche playing the title role in Sophocles's tale of family loyalty, courage and tragedy. The Barbican's visionary new English language translation by TS Eliot Prize-winning poet and classicist Anne Carson is directed by renowned Belgian theatre director Ivo van Hove.