Vernon Greeves

Alec Graham is sentenced to death for the murder of his girlfriend Jennie, with whom he spent a weekend at the English country home of the parents of his friend Brian Stanford. Alec’s father, David Graham, a not-so-successful writer and alcoholic who has neglected his son in the past, flies in from Canada to visit his son on death row. David then goes on a quest to try and clear his son’s name while battling “the bottle.”

On receiving an inheritance from her grandfather, Canadian Jeannie MacLean decides to visit the family's Scottish roots. On the plane she meets businessman Stanley Smith, and romance blossoms in Edinburgh. The complications begin when Stanley breaks a date with Jeannie to woo voluptuous redhead Helene, and Jeannie is flattered by the attentions of the impoverished Lord McNairn; he's heard about her good fortune, and gallantly offers to show her the city.

Fred Martin, a taxi driver who is a reformed convict, is used by the police to go undercover in order to help catch a gang of safe robbers. However things start to go wrong when the police stake out the wrong bank and Fred finds himself alone with the crooks.

When publisher William Marshall learns his young ward Melissa Collins has committed suicide, he sets in motion a plan to murder the man who drove Melissa to kill herself. Mistakenly believing that singer Larry Shaw is his intended target, Marshall unwittingly seeks help from the man who actually broke Melissa's heart.

A blackmailer is murdered, and those who witnessed the scene agree to keep quiet; the complication is that the scene is also witnessed by a young artist, a victim of blackmail as well. (BFI Website)

From the case files of Scotland Yard, detectives investigate the mysterious death of Peter Adams, artist and possible forger.

A surreal mix of advertising tropes from the 1960s is very funny but has a neat anti-capitalist undertow.

A man from the countryside becomes London’s newest music hall sensation, and competes with a rival music hall performer for the audience’s attention.

Look at Life was a regular British series of short documentary films of which 507 were produced between 1959 and 1969 by the Special Features Division of the Rank Organisation for screening in their Odeon and Gaumont cinemas. The films always preceded the main feature film that was being shown in the cinema that week. It replaced the circuit's newsreel, Universal News, which had become increasingly irrelevant in the face of more immediate news media, particularly on television with the launch of ITN on the Independent Television service, which began broadcasting in parts of the United Kingdom in 1955.