Luis Sanz

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.

An Argentine travels to Spain to begin his studies. During the flight, he causes so much troubles to a flight attendant that she is fired. At home, the ex flight attendant discovers some dresses that belonged to her grandmother and decides to try her luck with an artist representative. There she will find the guy who caused his dismissal. Both fail to act in Barcelona, ​​but the boy's father attended the performance, being surprised, because he believed his son was studying in Madrid.

With more than thirty years, Malena Fonseca is a spinster and provincial woman who, after coincidentally meeting a Frenchman named Lucien, also a thirty-something bachelor like her, decides to marry him. However, after that, and having moved to Madrid in the company of her unbearable and possessive mother-in-law, Malena will gradually discover that her husband is a very rational man whose zero interest in sex despairs her, making the woman feel attracted to the pharmacist in the corner and the hunky bread delivery man.

A young woman, who sells music recordings in the flea market in Madrid, passes herself off as a friend's girlfriend so that he doesn't lose his inheritance.

On the way to his exile in Lisbon, Mario meets Silvia, a widow who turns out to be one of his admirers. Silvia has inherited a fortune, leading Mario to resume his career, eventually falling for him. Although Mario has relations with her, he makes it clear that will never fall in love. In Madrid, Juan Pepita and resume their relationship, and because of this the jilted Nena John Colman murders before Pepita, after being arrested. Pepita accepts a contract in Argentina, reunited with Mario. There he meets Tulio, who after starting a relationship with singer eventually ask marriage.

Roberto (Luigi Giuliani) and Luisa (Rocío Durcal) are a couple but are not as sincere as they should be. She tells him she works at Telefónica when she actually sells cigarettes at "The Green Windmill" cabaret. She's surprised when she discovers plans for a bachelor party there in honor of Roberto, who is marrying a wealthy heiress. In revenge, Luisa adopts the role of Luisito and faces Roberto in disguise.

Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament

Love, music and entanglements: a showgirl tries luck in tragedy, but she will be surprised by the arrival of her son from Bombay, with ideas very different from those of Spain; while the successor of this one - and neighbor - gains a plus doing "favors" to the gentle admirers.

Carmen Torres, a famous and renowned singer, lives the fame aware of what it implies, but Jorge Olmedo, her shadow partner, succumbs to a world in which drugs and poker games reign. Husband and wife travel to Seville to see the premiere of "Yo soy ésa", a film in which both see their lives captured long ago, a dose of reality that will help them realize that they no longer love each other the same.

After finishing her studies in London, Patricia returns to Spain, excited to see her mother again, a famous revue showgirl. But upon her arrival, she discovers that her mother is ruined and working in a low-tier theater. Mother and daughter decide to fight together to regain fame and fortune.

A woman is found murdered in her house the day after a party. The police begins the search for the killer asking questions to all the people that attended the party.

Eduvigis is an Eldery Lady who lives in Madrid, and visits bad luck on everyone that she looks at through glasses that her late husband gave her, which were made from crystals from an Egyptian Tomb. To arrange the sale of an inherited house, she must travel to the Canary Islands, and so puts an advert in a newspaper asking for a maid to accompany her, and a chauffeur to drive her car. Mercedes, a girl who works in a Museum in Madrid, and Tony, a student whose college has just started Summer vacation, answer the advert. Neither of them gets along with the other at all, but both are hired to make the trip with Eduvigis. Arriving in Tenerife, Mercedes and Tony discover that the house is worth much more than it appears, and much more than what is being offered.

The movement of a bullfighter's body died in America originates a massive concentration of people in an Andalusian people. Owed to the influence of so many persons, all the houses are enabled, even the brothel.