Alejandro Pelayo

The beautiful and popular movie star Miroslava is depressed tonight. As she prepares her suicide, her entire life is revealed on screen in a disturbing portrait of a lonely woman.

Life unravels when famous radio talk-show host Carmen (Sylvia Pinal) discovers she has just months to live. To tie up the loose ends of her life, she hires a chauffeur to drive her around Mexico City and visit her old haunts. But he does far more than that; instead, he gives her life a much-needed spark and shows her the road to happiness. Alonso Echanove and Raul Araiza Jr. co-star.

An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.

The story of the oil leader Lázaro Pizarro, of his political and personal wars, the use of crime to settle conflicts and the course of his power between the basements and the domes of Mexican politics, have a narrative record made in the Gulf of accuracy and dexterity

Two shareholder brothers close several factories due to economic problems, except for their chemical plants.

Aging politicians who have faded from the public eye hold a cocktail party to celebrate one friend's appointment to the President's Cabinet. Illusions are indulged, illusions are shattered.

Inspired by the social changes that the Revolution brought to our country and the admiration he felt for Mexican art, the Russian filmmaker Sergei M. Eisenstein traveled to Mexico with the intention of filming a film mosaic that culminated in the most beautiful non-existent film. The details of this odyssey are exposed in this episode of the classic television series Those Who Made Our Cinema.

The sexual misunderstandings caused by the real identity of a rich woman serve Hermosillo to satirize the moral and social hypocrisy of the provincial that every Mexican carries inside.