Lorena Velázquez

Ambitious non-starter gets a job as a bill-collector at a beauty-products company and tries to bluff his way into a management position, then tries a couple of other business schemes with minimal success.

Piporro doesn’t need to use his gun to get away with murder.

Young lawyer is mistaken for music professor and goes to live at a boarding school for young women.

Three big-city wimps have to pass for machos when they go to their home-town.

Santo must investigate a secret conspiracy involving a spy training camp, a brainwashing plot, and a kidnapped Nazi scientist.

The Mexican luchador Tinieblas buys an ancient painting of a dead woman ignoring the warning that it is haunted. Later, after a fight his partners El Fantasma Blanco and Mil Máscaras joins him in a party at his apartment with two beautiful ladies, but when the clock reaches midnight the painting transports them all to colonial times. In order to return home they must face Spanish Conquistadores, Aztec Warriors and an evil witch whose mother, an unstoppable living dead hungry for human sacrifices, is the woman in the painting.

Juan Pérez is a drunk, a party-goer, and a gambler, but above all, a womanizer. His weakness for the female sex is such that he has been married three times to satisfy each of his macho facets.

A woman with a degree in biology and a particular taste for arachnids gets involved with some unfinished business left by her dead mother, leading her to face unlikely events that revolve around the banana mafia in a South American country, such as an etheric eminence that anticipates tragedies, a cryptozoological being that is mentioned with skepticism and a terrorist society that seeks to dismantle the fraudulent and sinister structure of land concessions.

A group of sexy space vixens flies down to Earth, sets up a shop at a carnival (disguising their ship as a ride), and kidnap some earthlings in their scheme to conquer our planet. The humans, including Marcos, a crooked boxer and our hero, Silvia, his love interest, and a gang of comical mobsters out to kill Marcos, are taken to the women’s home planet. There they are held prisoner by the evil queen Adastrea and aided by her selfless twin Alburnia. Meanwhile, a standard issue hunky scientist back on Earth, who happens to be Silvia’s boss, tries to rescue them.

A humble shoe shiner finds fame and fortune as a wrestler without knowing he wears a dead man's mask.

A mad scientist terrorizes a city by kidnapping young women with his ape-man Gomar and then using them as subjects in sadistic brain transplant experiments. A female wrestler whose sister was one of the victims swears vengeance against the Mad Doctor.

In the beautiful hills of the Copper Canyon in Chihuahua, Mexico, a young boy (Emilio) is adopted by the mailman (Teo). As part of their daily tasks, they not only deliver the mail but read letters to the villagers, as well as take dictation, since most are illiterate. Young Emilio quickly learns to read and write but feels saddened by the mostly difficult stories sent by relatives, that moved north to Denver, Colorado in pursuit of a better future. One day Teo becomes disabled and Emilio takes over the mail route and with great imagination, he changes the letters to happy and optimistic stories. Within days, the village is transformed. The elders, once hopeless, lonely and sad, are now happy and enthusiastic, enjoying the "supposed" success their loved ones write from the United States. But the enjoyment is short lived, as they realize that all the wonderful stories are the same...

White-collar criminals conspire to prevent a shmuck from collecting an inheritance.

Frustrated salaryman responds to career setbacks by embarking on a life of crime.

A failed marriage takes in a young niece while the wife tries to take away her inheritance.

A singing cowboy falls foul of alien invaders and beautiful women from Venus.

A Dominican friar finds himself wrapped in tangled skirts because he is mistaken for his twin brother, a womanizer.

Niña de mi Corazón is a teen Mexican telenovela produced by Televisa and Telefe adapted from Pedro Damian's 1997 Mi Pequeña Traviesa, that premiered on March 8, 2010 and ended on July 9, 2010. Damian was also the producer of this telenovela.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

“La mexicana y el güero” is the story of some scammers who try to deceive a millionaire who is looking for his biological mother through a plan that is funny about what is complicated. Itatí Cantoral, Gala Montes, Juan Soler, Luis Roberto Guzmán, Montserrat Marañón, Jacqueline Andere, Rodrigo Abed and Laura Vignatti, among many other stars.

Mi Pequeña Traviesa is a Mexican youth and family telenovela produced and directed by Pedro Damián for Televisa and originally broadcast on Canal de las Estrellas from December 8, 1997, to April 24, 1998. It is an adaptation of the Argentine telenovela Me llaman Gorrión, created by Abel Santa Cruz. The telenovela stars Michelle Vieth and Héctor Soberón. The story follows Julia González, a young woman whose dreams of pursuing a professional career are interrupted after her father is left paralyzed in an accident. To support her family, she disguises herself as a boy in order to find work. Along the way, she falls in love with Alberto Miranda, and together they must overcome social differences, family conflicts, and the many obstacles that stand in the way of their happiness.

La casa en la playa is a Mexican telenovela produced by Yuri Breña and Pinkye Morris for Televisa and originally broadcast on Canal de las Estrellas from April 10 to July 7, 2000. The story follows the wealthy Villarreal family after the death of its patriarch, whose final wishes ignite conflicts over inheritance, power, and loyalty. As hidden secrets and old rivalries emerge, the family becomes entangled in a web of love, betrayal, ambition, and revenge.