Jean-Jacques Jauffret

Jean is young, gay, and promiscuous. Only after he meets one or two women, including Laura, does he come to realize his bisexuality. Jean has to overcome a personal crisis and a tough choice between Laura and his male lover Samy.

A collection of gay short films. The 8 short films are: A Story of No Importance [Une histoire sans importance] (1980); Daniel Asleep [Daniel endormi] (1988); Everyone is Perfect [Tout le monde est parfait] (1994); Bug (2003); One Fine Day, a Hairdresser [Un beau jour, un coiffeur] (2004); Same Blood [Du même sang] (2004); Somewhat Agree [Plutôt d'accord] (2004); Prisoner [Prisonnier] (2004).

One hot afternoon in the south of France, several paths are converging towards a tragic conclusion. Those involved are: Stéphane and Luigi, two cousins who have just emerged from adolescence; Georges, a retired old man; Amélie, Luigi’s girlfriend; and Amélie’s mother Anne. Little do they know how their lives, scarred by fear, humiliation and weariness, will become intertwined and propel them to a terrible outcome...

It's a grim world of prostitution, drug dens, transvestites, junkies and murderers. The seediest side of urban life is examined in this tragedy. The film follows the complex, interwoven lives of four characters as they live their harsh and gritty nocturnal lives on the city streets. The main characters are Fifi a pickpocket who is simultaneously involved with Divine, a transvestite hooker and Vera a peep show dancer who refuses to be a hooker. Vera lives with her would-be pimp Jesus le Gitan, a small-scale drug dealer. When the area riff-raff become embroiled in hostilities, two of main characters are slowly killed in horrible ways. Fifi is then left to avenge their deaths.

Esther watches TV and comes across a reality show where she recognizes her ex-husband disguised as a woman. Stunned, she decides to no longer entrust Charles, their son, to him for the Christmas holidays. The perfect world is more complex...

Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.