Candy Darling

A high-priced call girl is forced to depend on a reluctant private eye when she is stalked by a psychopath.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

A man investigates the grisly crimes that occurred in a former insane asylum, unsettling the locals who all seem to have something to hide.

An Italian woman faces challenges at JFK Airport when Customs confiscates the mortadella sausage she brought as a gift for her fiancé, leading to a humorous and frustrating ordeal.

Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a virginal intellectual who believes women are oppressed in contemporary American society. And Holly is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.

A series of tableaux illustrating the life and death of a celebrated 19th century German opera singer.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Regulars gather at The Blue Jay, a gay bar in Manhattan's Greenwich Village, to celebrate Christmas Eve 1971 with people they consider family.

In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.

A documentary on the legendary creator and victim of pop art. Warhol, revolutionary and controversial, was never afraid to break the mold and reshape the reals of art, advertising, and directing. But who was the real man being behind the colors in which he hid?

People call each other up just to fight, such a scene in which Brigid Berlin fights on the phone with her mother about her weight and gorges herself with cream pies in bed.

Ron Link, Samuel Adams Green, Holly Woodlawn, and Jeremiah Newton delve into Candy Darling’s life, legacy, and the indelible impact she left on the world of art and culture.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

With the ascetic grandeur of Carl Th. Dreyer’s The Passion of Joan of Arc, Schroeter evokes the visions of Saint Joan, partly through unused footage of Darling and Caven pantomiming in his 1972 film The Death of Maria Malibran. - MoMA

Daddy kicks Candy out of the house because she’s been promiscuous and threw a big party.

Conventionally “soapish” drama focusing on Vivian, a broke aging actress who runs a rooming house for young girls and drag queens. The story follows Vivian, the girls, and their suitors, fluctuating between interior studio scenes of Vivian’s parlor and poorly lit exterior shots.

After being duped and going bankrupt, model Maddie is convinced by David to become a partner in a detective agency. Together they solve various cases, while getting comfortable with each other.

He was a pioneering artist and cultural icon and his work is a history of 20th-century America. A country reinventing itself as seen through an artist's eye. 3 part documentary looking at 20th century America through the life of Warhol.