Marie Liljedahl

A young woman is lured to an island paradise, where she is drawn into a dark world of pleasure, pain, and murder under the control of a sinister figure.

After her boyfriend leaves her alone and penniless, Inga can only long for the love of another man devoted to satisfying her body and soul. Rolf, a young pop singer and musician, tries his best to seduce her, but she ultimately falls for Stig - a dashing older man and writer. Stig owns a beautiful villa, and Inga gladly becomes his personal secretary - and lover. When business takes Stig away, Inga's loneliness and unfulfilled sensual desires lead her straight into the arms and bed of Rolf. As passions surge and forbidden lust is embraced, Inga will be forced to confront a shocking secret and reconcile an aching heart with a tireless young body that can't say no.

London, England. Dorian Gray is a young man who somehow keeps his beauty eternally, while a mysterious portrait of himself gradually reveals his moral decay.

Inga, a 17 year-old, is sent to live with a scheming aunt who wants her to become mistress of her rich neighbour. She falls for a common young man instead.

A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.

The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'

Nine scenes about sexuality and morals in Sweden in the late sixties.

A girl of 14 is embarrassing her foster parents. She exposes herself to a homeless and police. It turns out that the girl has had sex with various men in exchange for a little kindness and chocolate. At fornication trial she has to face the city's municipal chief, who also has abused the girl.