Sérgio Tréfaut

Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.

A European teenager ran away from home to marry a Daesh fighter. She became a bride of the Jihad. Three years later, her life has dramatically changed. She is living in an Iraqi prison camp. Now she has two children to take care of and is pregnant again. She is a 20-year-old widow and soon will be put on trial in the Iraqi courts. What have the experiences of war and brainwashing done to her?

Following international recognition of Fado, Portugal recently submitted to UNESCO the polyphonic songs of the Alentejo, known as Cante Alentejano, or just Cante, as an Intangible Cultural Heritage of Humanity. This film will be a journey into the hot Alentejo countryside (Southern region of Portugal) discovering Cante music and the life of its performers. Not many people outside Portugal know about these a capella polyphonic choirs, typically formed by 20 to 30 male agricultural workers or miners, that seem to express the deep voice of the Earth.

Maria, a Ukrainian doctor, comes to Portugal to spend a year with Greco, her husband who is also a doctor. Upon arrival at Faro airport she is the only person from Kiev approached by agents of Immigration and Customs that lead her to a room of interrogation, without any explanations. All this occurs because the authorities suspect that something illegal should be behind her trip, since she is from Eastern Europe and her husband is Senegalese.

A hundred letters written by Portuguese women during the Salazar dictatorship were found by chance in a second-hand bookshop. By confronting today the women who wrote these letters with the ghosts of the past, and revealing important archive material, Letters to a Dictatorship takes us on an in-depth journey through the obscurantism that dominated Portugal for more than 50 years.

Freely based on Gide ('Paludes') and Hawthorne ('Wakefield'), this is a film about a writer who never wrote anything and who blows at nightfall the breath of frost. The poem by Carlos Queiroz to which the above sentences belong is not cited in 'O som da Terra a Tremer', but the atmosphere is that, between written letters never received. Fiction within fiction, stories within stories, like those Chinese boxes in which there is always one inside another. Or the two margins of the same river, always being lateral.

A poignant personal story. Do we want to know it? Sérgio tries to understand the troubled past of his mother, Fleurette, 79 years old. Notwithstanding her resistance to his questions, little by little, throughout the film she reveals almost another life where love is closely related to politics. From occupied France and Nazi Germany to the Brazilian dictatorship and the Portuguese revolution.bright and powerful speech magnetizes the audience.

North of Italy, the von Kettens dispute the forces of the Episcopate of Trent. Herr Ketten seeks marriage in a distant country, Portugal. After their honeymoon journey back home, Ketten leaves again for the war. Eleven years elapsed… Rumours are running about the presence of that 'foreigner' in the castle. Some say she's a heretic. Until one day, the Bishop of Trento ends up dying and, with the signature of peace, falls the background of von Ketten's life. Will the Portuguese win, where death seems to be moving in?