Mona Mårtenson

A gang of friends lose their club house and collect money for a new one by singing in public.

Ranged across several generations, the story begins with a wealthy merchant, Lind, and his wife travelling in the coldest depths of winter to christen their baby daughter. Attacked by wolves, they lose the baby, which is found by the Lapp Jaampa (a dominating performance by Tryggve Larssen) and subsequently raised by a rich reindeer herder,

Erhard Malm is studying to become an engineer, but support himself as a tutor at Consul Frendin. The consul's daughter Ruth and Erhard get interested in each other.

Gösta Berling is a young and attractive minister. Because of his alcoholism and his daring sermons, he is eventually defrocked. He becomes tutor of countess Marta's stepdaughter and they fall in love. But the countess has a plan of her own.

A chief physician at a women's clinic is against abortion. He strongly influence the patients not to abort. But there are doctors who think differently.

One day, a theater company to Iron Creek. In the city's steel mills meet the young actress Monika young Erik. The love between them is from the very clear but complicated by the fact both have careers.

Art professor Tore Stenwall is engaged to one of his young students, Anna-Lisa. He shows her a portrait and tells the story of how it came to be.

When his ancestors seem to appear in the clouds during a storm of biblical proportions, young Ingmar decides to give up his career as the village teacher and to reclaim the land and farm of his fathers. The same stormy night, the charismatic preacher Helgum arrives in the village to spread the word about the promises of the Holy Land, which turns parents and children, men and wives, brothers and sisters, against one another. Ingmar is torn between his love for the headmaster’s daughter Gertrud who is under the preacher’s spell, and the prospects of marrying the judge’s daughter Barbro in order to keep the farm.

Simon lives a quiet life on his farm until one day he discovers he is the heir of a great fortune.

A peddler visiting a small cottage in the winter. He tells some strange tales for the family living there.

When Ingmar Ingmarsson marries Barbro Svensdotter there's a big party with many guests. But the bride and groom are unhappy.

Celestin is the singing teacher in a monastery and Denis is one of her students. They both dream about the life outside. (It's a Swedish version of the famous vaudeville-opérette "Mam'zelle Nitouche").

The film is based on a story by Guy de Maupausant. The story details several years in the life of convent-bred Angela (Mona Mårtenson) who leaves her convent in Italy to go live with her aunt Peppina (K. Swanstrom), whose husband Giambastista wants to take advantage of her. She flees and takes refuge with the painter Frank Wood ( handsome Louis Lerch) and winds up in a romance with Wood. Alas, Wood is already married, and when Martenson finds out, she returns to the convent in disgrace. On the verge of shutting herself off from the world and taking her vows as a nun, the heroine once again crosses the path of Wood, who is now free to marry her. Sandra Milowanoff has a big scene where she commits suicide on discovering that her husband no longer loves her.

The film depicts the life of Charles XII of Sweden who oversaw the expansion of the Swedish Empire until its defeat at the Battle of Poltava. It was the most expensive production in Swedish history when it was made, and inspired a string of large budget Swedish historical films

Torsten and Sven are in love with Inger, who prefers Sven. Due to jealousy, Torsten destroys the radio system aboard the fishing boat as Sven will release the following morning. During the fishing season it blows up, but as the radio is not working, the crew does not know anything about the danger.

Jack Norton is a careless gambler, until his father turns his back on him. Dead drunk he winds up on a boat going far up North, where he leaves the boat, only to be saved by Eskimos, where he soon falls in love.

The widower Karl Hawermann and his daughter Louise are forced to leave their home by the ruthless Pomuchelskopp.

Mrs. Andersson’s mischievous Kalle gets adopted by Director Graham and moves from the working-class area into the high society of Stockholm.