Lydia Lunch

Young Jeremiah lives in a stable environment with loving foster parents until the day his troubled mother, Sarah, returns to claim him. Jeremiah becomes swept up in his mother's dangerous world of drugs, seedy hotels, strip joints and revolving lovers. Salvation comes in the form of the boy's ultrareligious grandparents, but soon Jeremiah's mother returns. Maternal love binds the pair together on the road until Sarah's desperate and depraved lifestyle finally consumes her.

A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

Cinema of Transgression pioneers and participants (Lydia Lunch, Lung Leg, Nick Zedd, etc.) perform a series of acts as they submit to director Richard Kern's camera. Originally created for DTNY acid parties; Submit to Me was eventually edited down to 10 minutes and given an accompanying score.

Even in a postapocalyptic future in which Earth has been colonized by aliens, humans need hearts to live, so when an orphan boy's sister needs a new one, he'll go to just about any length to get it in this "illustrated film" from Matt Pizzolo.

Penn Jillette and Teller are called upon to display their unique brand of humor to save civilization from strange extraterrestrial beings who have invaded Earth and who, disgruntled and bored with the mundane nature of human life, threaten to blow up the planet unless someone gives them a good reason not to.

Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.

An innocent youth is abducted and dragged down into a dystopian nightmare where teenage Lydia Lunch throws him into the Black Box.

Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

A noir mostly set in a bathroom stall and stairwell. A private dick trapped in a tight spot. A narrator searching for a way out of the story.

Claude Pérès pushes actor/director relationship to its breaking point by asking an actor to make love with him.

Lazlo Pearlman is a conceptual artist, an activist capable of dinamiting our prejudices about sex and identity. What it seems to be a reflexion about lies in our sexual lives suddenly turns out to be a sharp discourse about gender theory and the continuous evolution of our identitiy. Fake Orgasm, first part of an ambitious multidisciplinary project about sexuality and identity, hits our minds and forces a change of perspective to reconsider some concepts we've been educated with and grown up with.

A fringe film collective of edge-dwelling New York nihilist punks and crazies whose main pathological protagonist triumvirate were voyeur smackhead Richard Kern, pouting artpunk Nick Zedd and damaged psychescream queen Lydia Lunch.

At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge.

The Offenders is a raucous punk satire of the teenager-leaves-home genre. As in the detached and aloof manner of Andy Warhol's underground films, it tells an amusingly deadpan story centred on the kidnapping of a young woman named Laura and her abusive, controlling father. An out-of-control gang of punk hoodlums flesh out the cast.

Disturbtion is a visual exploration of a theme of psychic abilities. It is a story of a real person disturbed by psychic abilities such as afterlife communication, apparition and clairempathy.

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

Shots of walking down 42nd Street showing storefronts including everything from Texas Fried Chicken to 25¢ porn arcades.

Spit and Ashes is a reimagining of the historical violence waged against women by patriarchal forces in the name of religion, medicine and family. The High Priestess embodies the wild, sexual and grotesque - the un-tamable hunger of female desire and the ultimate threat to male power. The Midwife is the spirit of all women who sought knowledge and agency over their own bodies and paid for their agency with their lives. Through a series of erotic and brutal rituals these women come together to reclaim their bodies and prepare for the fight ahead.

Complete strangers meet in a room to act out their sexual desires.

My Lover the Killer is the former title of the album by Lydia Lunch & Marc Hurtado released in 2016. The music, first languorous then abrasive, accompanies the verbal flow of the transgressive poetess who comes back to an intimate and violently tragic episode of her own life: her love and death story with Johnny O’Kane. With her long-time collaborator, Lydia Lunch, face to face with the camera, transforms this naked scene full of troubled anger into a deep dark confession. Hurtado’s images are saturated, grainy, willingly experimental and clash with those of an archive of furious performances. Just like the one who seeks to avoid taking part in her own prophecy.

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.

The X-rated cartoon animations of Emmy award winning director/animator Merrill Aldighieri add a comical edge to this intense documentary with Lydia Lunch, a second collaboration after their first success, ""The Gun is Loaded."" Highlights from 5 concerts are accompanied by a live music score performed by composer JOE BUDENHOLZER & horn player TERRY EDWARDS (from MADNESS) during their travels to MARSEILLE, LYON, EVREUX, & NANTES. Bonus clips include rare on-the road interview footage with Lydia and composer Joe B., and an exclusive reading done at the Père Lachaise Cemetary.