Sogil Yan

In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.

A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.

A Middle-aged Japanese ex-pat journalist investigates child organ trafficking in Thailand and he uncovers a sinister network. In the darkest corners of Thailand, child prostitution and organ sales flourish. In order to save a child's life, another life must be taken. An outraged Japanese journalist and a passionate young Japanese NGO member attempt to save "children of the dark" from being consumed by arrogance and greed. However, the harsh realities of life intervene... Adapting Yan Sogil's book, which unflinchingly portrays the tragic realities unfolding today, filmmaker Junji Sakamoto directs a talented multinational cast to bring these stark events to life.

When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new.

A savage look at food and sex, helms this black comedy about Japan's sizable and often beleaguered Korean-Japanese community. Motomi Hayashi (Eri Yu), a producer who is thoroughly dedicated to her career, returns to her abode to discover that her porn star sister (Ichio Matsuda) is going to make a film about her family's first reunion in 20 years. Motomi is less than thrilled with the prospect, seeing as all is not well at the Hayashi household. Motomi's father recently got canned from his longtime job at a Pachinko parlor, while her mother secretly plans to mortgage the house to finance her affair with a younger lover. Motomi grows more uneasy when she learns that the porn director in charge of the undertaking is known for mixing fact with fantasy.