Sophie Gómez

It’s year 2147, men are sterile due to a virus leaving humankind almost extinct and Tania, a biologist, is trying to inseminate herself to prevent this with the help of an AI system called VIDA. Things take a turn when Azarias, one of the last men and a traveller with a dark past, suddenly appears.

This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

A lonely and bitter French bookseller living in Mexico mourns and is haunted by the death of his lover until he finds a maths journal with a metaphysical formula that may allow him to bring her back while getting involved with the woman who sells him the book.

After the sudden death of Maria Paz, her husband Marco discovers that she has a lover, Frédéric. He decides to embark on a journey to meet him. Through this man and this journey to Brittany, he will discover how much his wife ultimately remained unknown to him and will learn to discover himself.

Fausto is destined to live the suicide of his beloved wife. After this tragic event, he’s inexplicably given the opportunity to travel back in time and change the faith of the woman who he loves.

One city. Three days, three social classes, three love songs, human beings who coexist without touching one another, joined by mirages and hopes. Their struggles to survive are individual and secret; there are no winners or losers. The seeming order is maintained and a weekend begins.

Arter a tourist disappears inside a mine in Guanajuato, Mat Medina a young expert in mine engineering is hired to make a security diagnostic in the mines of a big company.

A cop sets out to find a man who has been delivering too much of a good thing in this offbeat comedy. Police detective Martinez (Jesus Ochoa) has been handed a most unusual case -- a number of local prostitutes have been murdered, and it's up to Martinez to bring in the killer. What makes the case truly unusual, though, is the manner of death; it seems the hookers all died as a result of having orgasms so powerful they were literally fatal. Teaming up with cultural anthropologist Onofre (Daniel Giménez Cacho), Martinez hits the streets looking for clues, and eventually gets some unexpected help from Father Gorkisolo (Santiago Segura), a priest with a unusually deep knowledge of sexual matters. Asesino en Serio was the first feature film from director Antonio Urrutia; noted Mexican filmmaker Guillermo del Toro served as executive producer.