Saeed Akhtar Mirza

A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.

Salim Pasha, a man with a physical disability, is involved in crimes like extortion and robbery with two of his friends Peera and Abdul. Salim is a carefree man.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

Sonu lives in a small village of Himachal Pradesh with her parents and grandmother. Her father works in Shimla. Intelligent & smart, she is the leader of her gang of friends, which include her neighbour Neelam, Ghanshyam the local grocers (Lalaji) son and Himanshu. Everyone in the village shows special concern towards her, though not in a manner that could embarrass or hurt her.

An old couple, Mohan Joshi and his wife, sues their landlord for not maintaining their 'collapsing' apartment building. For this, they hire two cunning lawyers. The court case drags on for years and the lawyers milk the old couple dry, while they become rich. Back home in the society, the old couple is ridiculed for fighting the landlord, but they fight on nevertheless.

Arvind, a rich businessman's son, dates the office secretary but is engaged to marry someone else. With a complicated family background, he struggles to find meaning in his life.

Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.

The film tells the tale of Mumbai city and the millions who get off the train at VT station at every second of the day, hoping to latch on to the magic of Mumbai.