Emmanuel Schwartz

Following the sudden death of his mother, a mild-mannered but anxiety-ridden man confronts his darkest fears as he embarks on an epic odyssey back home.

Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon and revealing how Dylan constantly reinvented himself.

The story of an impossible love between a woman named Fred and a transgender woman named Laurence who reveals her inner desire to become her true self.

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

A high-class prostitute by choice, Nelly Arcan’s colorful life is recreated in a multi-layered and stylish mix of make-believe and memoir, revealing Nelly’s alter egos: the neurotic writer, the vulnerable lover, the call girl and the star. Nelly shocked the literary world with her elegant writing and the lurid details of sex work in her autobiographical first novel, Whore, which became a critically acclaimed bestseller. Despite unprecedented success, Nelly’s remarkable life ended in tragedy.

Montreal, Winter 2002. Stéphane, 19 years old, fan of Metal, student in graphic design, dreams of becoming an illustrator. But for months he has been caught in a threatening spiral: he is addicted to games. Indebted, without an apartment, avoiding his friends to whom he owes money, Stéphane takes a job as a dishwasher in a restaurant in a major Italian restaurant in Montreal in order to get by. There, he will meet Bébert, a cook who burns the candle at both ends, and Greg, a waiter with disreputable actions. Will Stéphane make it through this new job or will he fall into a downward spiral of bad choices?

Mohawk archaeologist Baptiste Asigny engages in a search for his ancestors following a tragic terrain slump in the Percival Molson Stadium.

When Sasha's mother arrives on her doorstep without warning the young musician is unable to hide her trepidation. As she tries to prepare for the most important concert of her career, the reasons for her mother's visit come to light and Sasha must find a way to survive the remaining 24 hours, confronting both the volatile woman and the past that Sasha had worked so hard to leave behind her.

After a year of filming abroad, Manu, a once prominent actor, returns to his hometown. But getting back into the business isn't as easy as he thought. After several unsuccessful auditions, he's no longer sure of anything. Against all odds, he lands a job hosting a nighttime call-in radio show. His listeners are mainly newcomers, refugees and exiles with varied life experiences, working graveyard shifts. Manu gradually appropriates this space, this gathering of mixed voices, to launch philosophical questions into the night. His words are engaging. He becomes an anchor for many listeners. His life takes on new meaning.

When a rookie forest ranger flees into the Quebec wilderness to escape a brutal hazing ritual, he finds himself hunted not only by his peers, but by a towering creature of folklore stalking him through the woods.

Catherine is a teenager going through adolescence just as her parents are getting a divorce. Her social life is no better as bullies and boys add to the pressure of growing up in the chaotic '90s.

A trained actor, the protagonist is dreaming of playing tragic heroes of the classical repertoire, but his career is going nowhere. In order to earn a living, he becomes “Coquetti the Clown” and gets hired to entertain kids at birthday parties. In the film, we see him on his way to fulfill one of his usual contracts, or so he thinks, not yet knowing that a lifechanging experience awaits him.

A cinematic essay that immerses viewers in the world of four author-actor-directors and one actor, whose works explore the question of identity. All based in Montreal, they affirm the urgency and necessity of a new perspective on the collective that reflects a changing world and an increasingly mixed culture.

During an opulent and luxurious banquet, complete with hordes of servers and valets, eleven pampered guests participate in what appears to be a ritualistic gastronomic carnage. In this absurd and grotesque universe, an unexpected sequence of events destabilizes the endless symphony of abundance.

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.

While shooting her new film in New York City, a director begins questioning the origin of impulsion. As the shoot begins to fall apart, with her lead actor unable to complete the project, this hybrid film between documentary and fiction takes viewers on an unexpected and compelling journey.

On a cold winter's day in 1940, Jules and his family move to live with his uncle, mayor of a settler's village in northern Quebec. He is banned from school because of his rare skin disease. From that moment on, his greatest wish is to be cured. When his dog Spark runs away into the wild forest, Jules has no choice but to look for him. On his way, he meets Asha, a mysterious young indigenous girl. Together, they venture to the other side of the forest, where nature reveals itself full of life and secrets.

A young quebecer descends into alienation and depression.

Ten years after the tragic death of her parents in a mining disaster, Marianne returns to her hometown. She returns to GOLD, the rock band formed by her childhood friends, Kristoff and Kevin, who is the only survivor of the mining collapse. For GOLD's short-lived trio, commemorative week will slowly drag them into shocking and confusing areas.

Navigating the treacherous social tides of high school, Marine is cut adrift by Océane, her older sister who’s caught in the thrall of an older man. Meanwhile, their mother struggles to keep her head above water.

Éloi, whose father was killed in a hunting accident a year ago, is called to take part in a strange tribute ceremony in the country. There, immersed in a disturbing world of strange mystical codes, he learns that his father was tracking a huge buck with awe-inspiring antlers alongside the “Indian”. After several outstanding short films, Aurtenèche delivers a first feature that obliquely references the legend of Saint Hubert, who encountered the Almighty while hunting a stag. A cryptic thriller, hidden manuscripts, the quest for self-knowledge, psychotropic drugs: La Contemplation du mystère boldly shifts between moods and genres.

Michel Dumont is charged, judged and sentenced for a rape he denies ever having committed. While he serves his time in prison, Solange, who he fell in love with during his trial, embarks on the colossal task of proving his innocence and having the court rehabilitate him.

Everyone can have a bad day now and then, but we meet Valerie on a morning that divides her life neatly into before and after. It took one inconsequential setback – a silly thing, really – to cause a slight delay in Valerie’s schedule, resulting in a regrettable distraction, causing an unfortunate incident, which leads her to the police station….. making her miss the single most important event she had on her agenda: The Meeting! That’s when the dam breaks. All that control to build the fragile framework of her life collapses instantly. Valerie gets fired, is obliged to restrain her lifestyle, and now with the shared custody of her son in question, Valerie has to review her priorities and reorganize her life.

Frédérique Lessard, three-time Olympic medalist, is retiring. She decides to leave her spouse, with whom she had planned to start a family. Faced with emptiness, she will discover that life is not a race and will have to learn to live without performing. Freely inspired by the life of Marianne St-Gelais, but also by several Olympians.

Mathieu is a public writer in a poor neighbourhood of Montreal. In the past years, he discovered that his job is more about people than literature. He must first listen and then finds the right words for those who can’t write. Feeling the need to tell what his story, he wrote a first novel inspired by his experiences. The critics love it, but the book bothers his employer who immediately fires him. Mathieu wants to continue to help, but he feels more and more divided between the two worlds.