Berta Riaza

After her drug pusher boyfriend overdoses on heroin, a cabaret singer finds refuge from the authorities in a convent for fallen women.

Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

In the empty house of his family, Ramon, a poet, remembers the last day of the life of his master: the last time he went out with his friend don Latino de Hispalis, his talk with a minister and his dinner with Ruben Dario.

Two assassins: Luis, young and impulsive and André, married teacher. Fate lets them cross their lines, evident in the same victim. From the beginning they like each other; and both become addicted to killing synchronously.

During the first Carlist war in the 1830s in Spain a lieutenant falls into the enemy's hands and is arrested. When condemned, he claims he only wanted to see his newborn baby.