Silvio Caiozzi

Feature documentary film about the return to the ring of a former box champion and his impact in the whole chilean society. Sport is only a pretext to investigate in the national identity. Thanks to that Martín Vargas is a phenomenon that crosses all the Chilean society, this documentary is a human and cultural x-ray of Chile, expressed in a plethora of personages and situations that give account of our original one, fascinating and many times pathetic national reality.

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

Based on a true story, this compelling film follows Sandra and Valentina, two former nuns whose paths intertwine years after shared trauma. As they confront their past and unexpected feelings, they manage to transform their pain and find the strength to overcome the after-effects of the abuse they were subjected to into shared love and their marriage.

The contrast of the parallel lives of two women personified in a single actress (Delfina Guzmán). Despite the radical differences between their lives, they are intimately connected to each other. Candelaria is a vagabond in Parque Forestal, crazy but happy. In contrast, in a comfortable and luxurious apartment, lives Laura, who is harassed by the greed of her children and her lover, who will not rest until they strip her of her fortune and expel her from the country.

Four drunken literary bohemians write a short story about a pact with the Devil just as that very story is happening to them.

This is the story of a teenager at the turn of the century in the conservative higher classes of Chile and the initiation rites in his society.

A determined teenager must rely on her own wits when her fractured family abandons her.

Six people find a mysterious mark in the center of their left hand and all independently go to Easter Island in hopes to uncover the mystery.

The young Marcela leaves her small Chilean village and travels to Santiago in order to find work as a secretary.

A man takes his insecure, overweight paramour to a seaside resort to consummate their relationship, but there he stumbles onto an artistic discovery that will change his life.

A young working class girl falls in love with an upper class boy who is part of the plot to assassinate General Schneider, head of the Chilean Army. The film was shot in 1973 over six weeks with a budget of $170,000. As a result of the 1973 Chilean coup d'état and military dictatorship (1973–1990), the film was presumed lost for many years and not released until 1992.

Chilean soldiers try to survive in the desert after they are attacked by Peruvian troops. The 17 survivors are held together by the Captain. The Lieutenant is a civilian attorney who clashes with the Captain as he pursues the valuable rights to nitrate deposits in the area. When the fighting was over, 25,000 soldiers from Chile, Peru and Bolivia had perished while trying to secure the coveted mineral rights for foreign companies.

The political evolution in Chile seeing from three different times: 1937, 1947 and 1970. A film that shows how a revolution cannot be accomplished by electoral means, and how the wealthy class will always attempt to destroy that revolution, with the help of the armed forces, as soon as their privileges are threatened.

Pancho Veloso, an old writer of celebrity articles, returns to his hometown of Chilean Patagonia after more than 40 years of having fled. When trying to write "salable" stories about that area so called "the end of the world", he will face his past and leave his imposture.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

An aged former sailor, ill and confined in his bed, maintains his firm grip on his house and his son, who is having an affair with the widowed next door, through many mirrors displayed in his room and all around the house.

Olguita and Osvaldo are planning to get married, but she imposes only one condition for this to happen: she must own at least one property from his,regardless of its worth.

Two thieves wander in the chilean desert and finally get to a small town near Bolivia. There, they try to include themselves with the townspeople but their instincts betray them and tragedy ensues. Based on a true story, this film opened one year after the chilean Coup de etat. The day after the opening, script girl Carmen Bueno and director of photography Jorge Müller were taken by police and now they are part of the list of the Desaparecidos.

Starts a love story between an art student and a medical student, narrated from Monday to Sunday.

The film narrates the process in which two female forensic doctors, responsible for the Office of Identification of Legal Medical Institute of Santiago, fail to determine the identity of bodies that presumed are prisoners, detained and disappeared during the military dictatorship of Augusto Pinochet (1973- 1990).

Dramatic recreations from impressive testimonie that no one can explain yet. Exploring themes and paranormal events such as forces from beyond, ghosts, poltergeist, pyrokinesis, telekinesis, telepathy, among others.