Kent Jones

At the very end of the 1970s, post office worker Ed Saxberger wrote a book of poetry that nobody cared about. After an eager and flattering fan appears on his doorstep, Saxberger is beckoned into a coterie of young admirers who anoint him a rediscovered genius. The group of downtown bohemians is led by their "tragic heroine," Gloria. Intoxicated by the attention, and Gloria's alluring presence, Saxberger gradually reckons with the authenticity of his newfound poetic circle.

A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.

The Concert for New York City (2001) captures the star-studded benefit held at Madison Square Garden on October 20, 2001, honoring the city’s resilience and the heroism of first responders after 9/11. Attended by thousands of firefighters, police officers, and rescue workers, the concert features performances by Paul McCartney, The Who, Elton John, Billy Joel, and other music legends in a powerful tribute to unity, courage, and recovery.

At the end of WWII, Jimmy Picard, a Native American Blackfoot who fought in France, suffers from unexplainable symptoms and is admitted to a military hospital. When doctors suspect schizophrenia, an eccentric psychoanalyst takes up the case and starts a conversation with the veteran.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Martin Scorsese reflects on the profound influence of director Elia Kazan, tracing his artistic journey from the Group Theatre to Hollywood success and the controversies of the blacklist era. Co-directed with Kent Jones, the film combines interviews and clips from Kazan’s classics—On the Waterfront, A Streetcar Named Desire, and America, America—to portray him as a deeply personal filmmaker within an often impersonal industry.