Edith Clever

In the summer of 1939, 13-year-old Marie goes with her parents to visit her grandparents in a small town near Avignon. Marie discovers her femininity and falls for a young Jewish doctor, but he prefers Eva, Marie's mother.

A group of people from the wealthy middle class in engage in quasi intellectual quarrels and discussions trying to find some meaning in their comfortable and indolent life. Adaptation of the play by Maxim Gorky.

A psychological interpretation of the opera mixing in references to the history of Germany, Wagner’s life, German literature and philosophy. The action is centered on Wagner’s death mask. Kundry is the main character – one might read the film as the story of her redemption rather than that of Amfortas.

A German Marquise has to deal with a pregnancy she cannot explain and an infatuated Russian Count.

Mourning for a lost relationship can be every bit as devastating as mourning for someone who has died. In this drama based on the director's own novel, a couple with an unhappy marriage agree to a trial separation. They try to patch things up, and at the same time other relationships begin to develop for them.

An installation film that consists of a six-hour-long monologue performed by Edith Clever, who reads texts by Syberberg and many different authors, such as Johann Wolfgang von Goethe, Heinrich von Kleist, Plato, Friedrich Hölderlin, Novalis, Friedrich Nietzsche, Eduard Mörike, Richard Wagner, William Shakespeare, Samuel Beckett, and Chief Seattle.

TV adaptation of Arthur Schnitzler’s eponymous book with Edith Clever as the only film actress.

In Heinrich von Kleist's "Penthesilea", war, the death of love and erotic cannibalism merge into a battle of the sexes. The drama, which was published in 1808, was not premiered until 70 years later. It is considered almost unplayable. Edith Clever and Hans Jürgen Syberberg have remembered that Kleist's "Penthesilea" was already read as a monologue in the time of its author and supplemented by pantomime on stage. In November 1987, they continued this tradition at the Théâtre des Bouffes du Nord in Paris: Edith Clever performed the play without lines and role changes, as a single long poem.