Christine Noonan

In an English boys' boarding school, social hierarchy reigns supreme and power remains in the hands of distanced and ineffectual teachers and callously vicious prefects in the Upper Sixth. Three Lower Sixth students, Wallace, Johnny and leader Mick Travis decide on a shocking course of action to redress the balance of privilege once and for all.

An ambitious coffee salesman has a series of improbable and ironic adventures seemingly designed to challenge his naive idealism.

The working-class Smiths change their initially sunny views on World War I after the five boys of the family witness the harsh reality of trench warfare.

After her father's death, Maud, a young heiress, is sent to live with her Uncle Silas. She finds her new guardian living in a gothic nightmare of a mansion, and soon realizes that he wishes to murder her and claim her inheritance.

Babylon 5 is a five-mile long space station located in neutral space. Built by the Earth Alliance in the 2250s, its goal is to maintain peace among the various alien races by providing a sanctuary where grievances and negotiations can be worked out among duly appointed ambassadors. A council made up of representatives from the five major space-faring civilizations - the Earth Alliance, Minbari Federation, Centauri Republic, Narn Regime, and Vorlon Empire - work with the League of Non-Aligned Worlds to keep interstellar relations under control. Aside from its diplomatic function, Babylon 5 also serves as a military post for Earth and a port of call for travelers, traders, businessmen, criminals, and Rangers.

Mystery and Imagination is a British television anthology of classic horror and supernatural dramas. Five series were broadcast from 1966 to 1970 on ITV and produced by ABC and Thames Television.

Italian adventurer and libertine Giovanni Jacopo Casanova lived from 1725 to 1798, but in this six-part series Dennis Potter attempted to find a contemporary relevance through his central themes of sex and religion. He commented that Casanova "was concerned with religious and sexual freedom, and these are the things we have to address ourselves to now." Casanova was imprisoned in Venice in 1755, and Potter used that event as a central device, constantly inter-cutting to contrast Casanova's amorous escapades, radiant, joyful and brightly lit, with his oppressive solitary confinement in the gloom of a half-darkened cell.