Isaak Babel

Jimmy Higgings is a worker of the plant making weapons for the Tsarist Russia and the German Empire. During World War I, Jimmy speaks at a spontaneous rally against the war. He is arrested. When released, he becomes unemployed. He is happy to hear the news about the revolution; he volunteers into the American expeditionary force thinking that having the weapons he can fight against Germans – the enemies of the Russian revolution. However, finding himself in Russia, Jimmy soon realises that the expeditionary force of American volunteers fights not against the Germans, but against the young Socialist Russia. Without any hesitations, he takes the path of revolutionary struggle, he spreads propaganda among the American soldiers and distributes Bolshevik leaflets. Captured by the American military police, Jimmy Higgings does not betray his friends. He is sentenced to twenty years in a military prison. Jimmy cannot stand it and loses his mind. Lost movie.

The authors, like Isaac Babel, rejected the depiction of battles, the simplification, and varnishing of reality, instead conveying the dramatic tension of the post-revolutionary years: the explosion of awakened human energy and the tragic collisions of destinies.

The plot of the movie is based on books of Isaak Babel about Jewish criminals in city of Odessa before and after the Russian revolution.

The seamy Jewish underworld of Odesa is the setting for Isaac Babel's story based on the life of gangster king Mishka Yaponchik "Mike the Jap" Vinnitsky. Murder is a way of life for Benya and his gang until he finds himself ensnared in a Bolshevik trap.

Old, rich Jew Mendel Krik falls in love with the beautiful Marusya. But their sons Levka and Bena don't share their dreams... Revolution has come.

Hrích boha (God's Sin) is Agnieszka Holland's poetic vision of the world as a trap, based on the novel by Isaak Babel.

The story of a Jewish entrepreneur ins Tsarist Russia always look for a get rich quick scheme.

Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.