Alan Govenar

An examination of the artistic and historical roots of today's tattoo explosion.

Texas Style centers on three generations of Westmoreland family fiddlers, bringing you to the Homecoming, Rodeo, Reunion and Fiddling Contest in Gustine, Texas, where there are armadillo races, tobacco-spitting and frog hopping contests, cow chip throwing and young and old comparing their hog calling skills. Inside a canvas tent, some of Texas' most remarkable fiddlers compete to the foot-stomping delight of their audience.

Through interviews with people on the street and songs recorded to memorialize JFK in the mid-1960s, the film explores the impact of the November 22, 1963 assassination on issues in today’s world, from lingering conspiracy theories to the proliferation of gun violence, homelessness, and the scourge of K-2.

The Beat Hotel, a new film by Alan Govenar, goes deep into the legacy of the American Beats in Paris during the heady years between 1957 and 1963, when Allen Ginsberg, Peter Orlovsky and Gregory Corso fled the obscenity trials in the United States surrounding the publication of Ginsberg’s poem Howl. They took refuge in a cheap no-name hotel they had heard about at 9, Rue Git le Coeur and were soon joined by William Burroughs, Ian Somerville, Brion Gysin, and others from England and elsewhere in Europe, seeking out the “freedom” that the Latin Quarter of Paris might provide.

Since 1946, Lucien Mouchet has been making small-scale reproductions of carousels and fairground scenes that existed in the past or are still in operation today. A machinist by trade, Mouchet retired nearly two decades ago, but his obsession with precision and detail has continued. To date, he has created 48 carousels; each is a functioning masterpiece that is constructed to be exactly 1/20 scale of the original. Mouchet works from photographs and measurements he has taken over the years of carousels that have toured France and across Europe. Mouchet tediously prepares shop drawings and hand-tooled parts, analyzing the different modes of assembly and the varying principles of movement. He combines an expertise in engineering with whimsical recreations of the carnival atmosphere, replete with electrical motors, lights, signage, transport trucks and miniature people, made by him and hand-painted by his wife, Georgette.

Master Qi and the Monkey King explores the life and work of the preeminent master of Chinese Opera living in the United States. Qi Shu Fang was a household name in China due to her feature role in one of the Cultural Revolution Opera films, and traveled the world to show off her mastery of the art form. The film explores the reasons why Ms. Qi, her husband and a whole troupe of Chinese Opera performers have moved to the United States to transplant their art form to a foreign culture.

Alan Govenar's doc introduces a little-known NEA program honoring masters of folk arts and music.

This is one of three short films in the Living Texas Blues series. Battle of the Guitars shows the ranging influence of Aaron "T-Bone" Walker throught the performance of Pete Mayes and Joe Hughes at the Doll House Club in Houston.